Feminism and motion pictures

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Feminism and motion pictures

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Feminism and motion pictures

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Feminism and motion pictures

3 Archival description results for Feminism and motion pictures

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Filmmakers' showcase #02 : Bonnie Kreps : A woman's film aesthetic

Documentary. "Bonnie Kreps, one of the founders of radical feminism in Canada, here traces her development as filmmaker since 1969. Pre-eminent in this development is the emerging aesthetic which comes from a feminist value system, as distinct from the prevalent masculine one which now imbues most filmmaking. With humour, personal examples and illustrations from her films, she pinpoints some of the key elements of a woman's film aesthetic -- both in the process of making a film and in the end product itself." Includes excerpts from AFTER THE VOTE, PORTRAIT OF MY MOTHER, MOUNTAIN DANCE and THIS FILM IS ABOUT RAPE.

Madeleine is . . .

The item is a video copy of a feature film by Sylvia Spring. "The film follows the story of Madeleine (Nicola Lipman), a young French Canadian woman living in Vancouver. Caught between her domineering boyfriend Toro (John Juliani), with his socialist poser friends, and a patronizing employer, Madeleine must break free to assert control over her sexuality and creative desires. Heightened by Doug McKay's quasi-documentary camera style, Spring conveys a strong social vision in her portrayal of Vancouver on the cusp of the 1970s." (Diane Burgess, Vancouver International Film Festival, 2002).

Madeleine is . . .

Feature film. "The film follows the story of Madeleine (Nicola Lipman), a young French Canadian woman living in Vancouver. Caught between her domineering boyfriend Toro (John Juliani), with his socialist poser friends, and a patronizing employer, Madeleine must break free to assert control over her sexuality and creative desires. Heightened by Doug McKay's quasi-documentary camera style, Spring conveys a strong social vision in her portrayal of Vancouver on the cusp of the 1970s." (Diane Burgess, Vancouver International Film Festival, 2002)