British Columbia

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British Columbia

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British Columbia

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British Columbia

100 Archival description results for British Columbia

100 results directly related Exclude narrower terms

Missionary Oblates of Mary Immaculate fonds

  • PR-2400
  • Fonds
  • ca. 1828-2018

The fonds consists of records relating to the missionary work of the Missionary Oblates of Mary Immaculate (OMI). Most records were created and accumulated by the administrations of various OMI provinces that have operated in British Columbia: St. Peter’s Province, St. Paul’s Vice-Province, St. Paul’s Province, and OMI Lacombe Canada. Additionally, the fonds contains some records created by the administration of the Vice-Province of Whitehorse. Other records pre-date the establishment of OMI provinces in Canada. Materials mostly relate to Oblate missionary work in British Columbia and the Yukon, but the fonds also includes some records pertaining to Oblate work throughout Canada, as well as records pertaining to foreign mission work (such as materials related to the OMI’s Provincial Delegation of Peru).

The fonds is divided into the following series:
● MS-3396 – Mission and school records
● MS-3397 – Personnel records
● MS-3398 – OMI archives files
● MS-3399 – Writing and research
● MS-3400 – Provincial administrative records
● MS-3401 – Indigenous affairs subject files
● MS-3402 – Multi-media [currently being processed]
● MS-3403 – Publications, grey literature, and manuscripts

Missionary Oblates of Mary Immaculate

Baptismal, marriage and burial church registers

  • GR-3258
  • Series
  • Microfilmed 1946 (originally created 1849-1903)

The series consists of copies of British Columbia baptism, marriage and death registers created by churches that conducted the ceremonies. Currently only records (baptisms 1849-1899; marriages 1864-1903) of St. Andrews Cathedral, Victoria , are available.

Churches were required to submit their baptismal registers to the Vital Statistics Division in the 1940s so the registers could be microfilmed. Vital Statistics subsequently created an alphabetical index to the microfilmed registers, and a database was created from the index volumes with supplementary information from the microfilmed registers added to the entries. This information is searchable via the BC Archives Genealogy database. The microfilm copies of the original registers may include some additional information or context that was not included in the database.

Each bound volume was created by one church. Each entry corresponds with one ceremony, but may involve multiple individuals. The entries within each volume are ordered chronologically and may be numbered. Every volume varies in the type and presentation of information included and may not be consistent throughout one volume. All entries include the date of the ceremony, name of individual(s) involved in the ceremony, and the name of the priest who conducted the ceremony.

Baptism register entries may also include name of child, date of birth, place of birth, sex of child, name and surname of father, name and maiden name of mother, residence of parents, profession of parents, religion of parents, name and surname of grandparents, religion of grandparents, and name and surname of godparents.

Marriage register entries may also include name and surname of groom, name and maiden name of bride, age of bride, age of groom, name and surname of their parents, name and surname of witnesses present, religion of named individuals, place of birth, and signatures of parties involved.

Death register entries may also include: death dates, cause of death, age at death, location of internment and information about the funeral ceremony.

Indigenous people are included in the registers (as Indians or Sauvages). Some Indigenous names are included. Many baptisms of Indigenous people were in groups and may only consist of a list of the Christian names the priest gave to the baptized individuals. Tribal or community affiliations may be included.

Some entries include the geographical location that the ceremony took place. This location may vary from the location of the church, as some priests travelled quite widely to conduct ceremonies.

British Columbia Vital Statistics Agency

Sisters of St. Ann Archives collection

  • SSA
  • Collection
  • 1850 - 2021

The collection consists of records related to the creation and function of the Sisters of St. Ann in St. Joseph's Province, which covers the geographic area of British Columbia, the Yukon, Alaska, Oregon and Washington State. The SSA Archives acquired records created by the Sisters and the Corporation, as well as associated bodies such as parent-teacher organizations or alumnae societies for the schools they were involved in. The collection is currently arranged into 53 fonds, with the records created by The Sisters in one main fonds (PR-2415) which is comprised of approximately 140 series. The additional fonds are records created by external related bodies, such as the St. Joseph's Hospital School of Nursing Alumnae, Providence Farm in Duncan, and the Friends of St. Ann's Academy.

The Sisters of St. Ann were involved in education and healthcare throughout British Columbia as well as in the Yukon and Alaska, and the records in this collection represent those activities, as well as the place of the congregation in the broader Catholic landscape of Western Canada. Records reflect the Sisters' presence in parochial and residential schools as well as hospitals, but also their relationship to their motherhouse in Lachine, Quebec, and the reporting structures of a congregation of women religious. There are many series that are related to a specific institution where the Sisters worked, but additional information about that institution will be held in administrative series such as the Provincial Bursar records or the Provincial Superior records.

The records in this collection are on numerous formats, including textual, photographic, audio and visual recordings, artworks, published library materials, objects, and digital records.

The Sisters of Saint Ann

Selected colonial-period inquisitions/inquests

  • GR-1328
  • Series
  • 1859-1871

The series consists of copies of inquisitions and inquests selected from GR-1372, Colonial Correspondence (1852-1872). It includes inquisitions (inquests) conducted during the colonial period, including the following:
-Vancouver Island (Colony), 1859 - 18 Nov 1866 numbered VI 1859/1 to VI 1866/4
-British Columbia (Colony), 1859 - 18 Nov 1866 numbered BC 1859/1 to BC 1866
-British Columbia (United Colony), 19 Nov 1866 - 20 Jul 1871 numbered BC 1866/2 to BC 1871/3

The files usually contain an inquisition form, which indicates the name of the deceased, the coroner's name, where the inquest was held, the date, names of the members of the coroner's jury and the cause of death.

These inquests were filed in the Colonial Correspondence under the name of the coroner or person conducting them. The indexing was incomplete and only those inquests held by persons whose last name begins with letters from A-M have been listed. It is not known whether this section of listings is complete.

To locate unindexed colonial inquests, researchers should look under the heading "deaths" in the index to miscellaneous correspondence inwards to the British Columbia Colonial Secretary, 1858-1863 (C/AB/30.lKl/l). Letters to which the index refers will be found in the Colonial Correspondence under the name of the author of the letter. Researchers should also look in indexes under the names of the Gold Commissioners, since they acted as coroners. Indexes of correspondence inward to the Colonial Secretary should be checked generally for references to deaths.

British Columbia. Dept. of the Attorney-General

Indigenous studio portraits of Mrs. R. Maynard’s Photographic Gallery

The series consists of 76 predominantly studio portraits of Indigenous people in what is now known as British Columbia, taken between ca. 1862 to 1890. The majority of the photographs were taken by Hannah Maynard, however some are attributed to Frederick Dally and Carlo Gentile (perhaps others). Photographs were produced and marketed as commercial products popular during the 1860s and 1870s, such as 'cartes de visites', and, to a lesser extent, as personal portraits in the late 1880s. Maynard's studio produced conventional portraits as well as composite photographs which combined portraits with field photography landscapes. Indigenous communities and individual's names have been identified at the item level when known.

Maynard, Hannah (Hatherly)

Inquisitions/inquests conducted by coroners

  • GR-1327
  • Series
  • [1862], 1872-1937

This series contains inquisitions(inquests) conducted by coroners in British Columbia [1862], 1872-1937. Inquisitions are investigations in which a coroners’ jury rules on the cause of death. Inquisition files often contain witness statements, transcripts, autopsy reports, and findings.

British Columbia. Dept. of the Attorney-General

Maynard family collection

  • PR-1259
  • Collection
  • [ca. 1862]-1937

Collection consists of records created by members of the Maynard family, primarily Hannah Hatherly Maynard and Richard Maynard. Hannah, Richard, and their son, Albert Hatherly Maynard, were professional photographers based in Victoria. Records include photograph albums, a portion of the photographic portfolio of Hannah and Richard Maynard, a studio register with over 5,000 customer entries for portrait orders fulfilled by Mrs. R. Maynard's Photographic Gallery, and a small number of textual business records. Within this collection, the works of other photographers and photographic studios may be found. Images depict studio portraits, family gatherings, field photographs for Department of Indian Affairs tours of inspection of Indigenous communities, construction of the Canadian Pacific Railway (C.P.R.), documentary photographs of the natural history collection of the Provincial Museum (now Royal BC Museum), and Hannah's experimental artistic works such as tableau vivants, photocollages, composites, montages, photo-sculptures, and double- and multiple-exposure studio portraits.

Records within this collection have been arranged into series that roughly correspond to Maynard Collection numbers that were assigned according to themes by either one of the Maynard family members or early BC Archives staff.

Maynard (family)

Colony of British Columbia Supreme Court of Civil Justice bench books

  • GR-2029
  • Series
  • 1865-1869

Series consists of two bench books for Colony of British Columbia Supreme Court of Civil Justice civil cases heard before Judge Joseph Needham between 13 October 1865 and 27 February 1869.

Volume 1 (Oct 1865 - May 1867) is indexed, but Volume 2 (Jun 1867 - Feb 1869) is not.

British Columbia (Colony). Supreme Court of Civil Justice

Selected coroner's inquisitions/inquests

  • GR-0431
  • Series
  • 1865-1937

Series consists of selected coroners' inquisitions (inquests) for 1865-1937. Records were chosen by BC Archives staff for retention in their original paper format for historical purposes. Most, if not all, records can be found on microfilm in GR-1327 and GR-1328. Inquisitions are investigations in which a coroners’ jury rules on the cause of death. Inquisition files often contain witness statements, transcripts, autopsy reports, and findings.

British Columbia. Dept. of the Attorney-General

Earl Marsh collection

  • PR-2362
  • Collection
  • 1868-1999; predominant 1922-1975

The collection consists of the records gathered by Earl Marsh, who intended to preserve the history of the British Columbia Coast Steamship Service (BCCSS) and the maritime history of British Columbia generally. He primarily collected records from BCCSS employees and their family members, as well as libraries and archives.

The collection also consists of the employment records of Earl Marsh, personal correspondence pertaining to his collecting activities, and records Marsh probably used in his position as accountant for the BCCSS.

Marsh accumulated the bulk of his collection between 1964 and 1973, during the last years in which the BCCSS provided passenger services. The records themselves were created between 1868 and 1999, with the majority created between 1922 and 1975. Records in the collection pertain primarily to the province of British Columbia, Washington State, and the state of Alaska.

The main subject of Earl Marsh’s collection is the BCCSS. Marsh was interested in the practical operations of the organization and its regional context, so his collection includes records about the BCCSS’s privately-owned competitors, other branches of the Canadian Pacific Railway Company engaged in shipping, and the establishment of government ferry services in British Columbia.

Operational records of the BCCSS provide insight into the lives of crew members who worked on ships, the financial state of the company, the design and construction of ships and shipping infrastructure, coastal weather and tide patterns, and significant shipwrecks.

As an employee of the BCCSS, Marsh had a special interest in crew members. The records reveal the job duties, union contracts, and company guidelines that shaped the lives of the workers. In addition, Marsh’s collection contains a small selection of records about the Chinese Canadian crew members of BCCSS ships. Many of these workers were employed at the time of the Chinese Exclusion Act and experienced systematic discrimination by their employer.

Marsh was also particularly fascinated by the passenger services offered by the BCCSS on their line of 32 “Princess” steamships. Prior to the First World War, Princess ships represented the height of elegance and efficiency in coastal transportation. Marsh gathered numerous photographs, menus, deck plans, and newspaper clippings that convey some of the glamour of passenger travel aboard these ships.

The records originated with different creators. The majority of the records were created by the Canadian Pacific Navigation Company, which was eventually taken over by the BCCSS, the BCCSS, and the Canadian Pacific Railway Company. Some records were created by other branches of the Canadian Pacific Railway Company, such as the British Columbia Lake and River Service.

Documentary forms include scrapbooks about the BCCSS, subject files, scrapbooks about other shipping companies, original BCCSS volumes such as log and time books, ephemera and photographic negatives, files of personal records, and rolls of technical drawings. Records were originally arranged in groupings according to their subject (often indicated in a folder title) and documentary form. Within some subject groupings, Marsh arranged files alphabetically.

The subjects of BCCSS-related scrapbooks include the numerous ships in the Princess line, staff members, and other aspects of the organization's history. Among many other material types, the scrapbooks contain news clippings, original company correspondence and financial records, photographs, and technical drawings. Marsh arranged these scrapbooks in rough alphabetical order.

Marsh maintained subject files on numerous ships in the Princess line, BCCSS staff members and history, and the history of other shipping companies, including the Puget Sound Navigation Company and Black Ball Ferries Limited. He kept his files on BCCSS ships in rough alphabetical order.

Marsh’s scrapbooks about non-BCCSS companies cover other branches of the Canadian Pacific Railway Company and organizations based in Washington State and the state of Alaska. These scrapbooks were not maintained in any discernible order.

Marsh maintained log books and time books from the Canadian Pacific Navigation Company and BCCSS; however, few complete sets of log books and time books exist for various ships. He also collected road maps and ephemera such as post cards, along with photographs, negatives, and slides, in random order in shoeboxes.

Marsh included his own personal correspondence and employment records in the collection. These materials were originally received in labelled files.

Marsh kept technical drawings in large rolls. Often, a roll featured upwards of 20 drawings of a single ship.

The archivist arranged the collection in six series that reflect Marsh’s original order:

MS-3254 - Scrapbooks, Canadian Pacific Railway Company records, and subject files
MS-3255 - Ship log books
MS-3256 - Time books
MS-3257 - Personal correspondence, employment records, and journal
MS-3258 - Photographs, road maps, and ephemera
MS-3259 - Technical drawings, map, and construction specifications for BCCSS ship Princess Louise II

Marsh, Earl John

Photograph album of the Maynard family

File is a large family photograph album with a yellow-green velour cover containing 69 card mounted photographic prints, the bulk of which are studio portraits that document numerous individuals and families, some of whom are members of the Maynard family. Many of the photographs are attributed to photographer Hannah Maynard of Mrs. R. Maynard’s Photographic Gallery, but there are also works of other commercial photographers and photographic studios including those identified as Washington based “Roberts & Kautz” and “Peiser’s Art Studio”/“Theo E. Peiser”(Seattle), as well as “A L. Jackson” (Tacoma). There are also works from photographers: “[Will] A. Peek” (Yaquina, Oregon), “Taber” (San Francisco) and photographic businesses “R. & H. O’Hara Photographers, BookSellers, Insurance Agents & c.,” (Bowmanville, Ontario). The album includes popular Maynard family images that appear in other Maynard family albums.

Photograph album of the A.H. Maynard family

The file is a family photograph album with a black leather cover with a metal clasp containing 32 card mounted photographic prints, the bulk of which are a selection of individual and group portraits depicting several generations of the Maynard family, in particular the Albert H. Maynard and Adelaide M. Maynard (nee Graham) family. Many of the prints feature portraits of infants, children, youth and adult members of the Maynard family including Albert H. Maynard, his mother Hannah Maynard and his siblings Zela Maynard, Laura Lillian Maynard and Emma Maynard, as well as his wife Adelaide. Laura Lillian Maynard and baby Richard James Maynard appear frequently throughout the album, either in individual portraits or group portraits together or with mother and grandmother Hannah Maynard. The majority of the photographs are attributed to photographer Hannah Maynard of Mrs. R. Maynard’s Photographic Gallery but there are also works of other commercial photographers including Washington based “Peiser” (Seattle) represented here. The album includes popular Maynard family images that appear in other Maynard family albums.

Studio register of Mrs. R. Maynard's Photographic Gallery, 1891-1899

Item consists of one studio register created by Mrs. R. Maynard’s Photographic Gallery that documents client orders from 1891 to 1899 and represents studio-based business transactions over a ten year period. It consists of 248 pages and contains entries for negative numbers 1025 to 6240. The record represents over 5,000 customer entries, likely referring to portrait orders fulfilled at several different locations of the Maynard Studio. Also included within the pages of the register is a small number of textual documents that refer to customer requests for non-portrait photographs that appear to have been furnished through the photographic studio. The author of the register appears to be either Mrs. R. Maynard or Arthur S. Rappertie, an employee of Hannah Maynard.

During this period, the studio was located at two different locations in Victoria, British Columbia. From 1874 to 1892, the studio was located on Douglas and Johnson Streets. In 1888, the studio is described in the publication The New West (Winnipeg) as having: “… superior facilities for executing all orders in the promptest and most satisfactory manner…” In 1892 until 1912, the studio was relocated 41 Pandora Avenue (renumbered to 717 Pandora ca. 1907). Many of Hannah Maynard's photographs after this date bear the address "41 1/2 Pandora Avenue near Douglas Street. Several employees worked for the studio throughout its existence. It is estimated that Arthur S. Rappertie (1854?-1923) worked for Hannah Maynard in the 1870s to early 1900s as either her assistant or photographer. Nicholas Herman Hendricks (1869-1946) was also employed by Hannah Maynard for a period. The signatures of both Mrs. R. Maynard and A.S. Rappertie are handwritten within the first initial pages of the studio register. The record does not note the corresponding Maynard Studio address alongside client entries, however orders are dated by the references to the year of the transaction, a date which appears at the top of selected register pages throughout the record.

By the 1890s, Mrs. R. Maynard’s Photographic Gallery already been a creator of conventional portraits in the popular carte de visite format and capturing the likenesses of gold miners and sailors, as well as Indigenous people whose studio portraits were commercially popular in and around Victoria during the early 1860s and 1870s. Children and family portraits were also a unique market provided for by the Maynard Studio, with photographic products including miniature portraits and composite images. In the period between 1891 and 1899, Hannah Maynard was producing experimental photographic works, including the "Gems of British Columbia" series of composite photographs. The montage works featured selected portraits of children and babies, largely Anglo-European subjects as well as a number of Chinese clients and Black families, photographed throughout the year were produced and sent as New Year's greeting cards to clients from 1881 until about 1895. In the 1890s, the studio facilitated the photographing of mugshots for prisoners for several years, when Hannah Maynard became the official photographer for the Victoria city police in 1897. Data on photographic orders noted in this record consists of date of order, number of negative, size and style of portrait (the bulk of which are carte de visites), quantity and price paid, and sometimes specific customization instructions of photographs ordered, as well as shipping information.

Mrs. R. Maynard’s Photographic Gallery clientele included the spectrum of the Victoria population including notable members of Victorian colonial society, temporary visitors, members of the navy, as well as pioneering Anglo-European, Indigenous, Black (including African American and Caribbean families) and Chinese individuals, families and communities. Client information frequently contained within register entries includes names, place of residence, family relationships, and occasionally identifiers for race or ethnicity for clients not perceived as Anglo-European. Customer names recorded within the approximately 5,000 register entries range from “Mrs. Bossi” and “Mr. Powell” to “Mrs. Alexander and 2 children (Clifford and Mildred Alexander),” “Tie Sue, Chinamen,” and “A Japanese, J Adachi,” to “Chief Sheppard and family,” and “George Alexander” of the HMS Ship Nymphe. Some clients appear multiple times throughout the record. In addition, the initials “CM” and "CL" repeat frequently and appear to relate to clients perceived to be of Chinese or Asian heritage (for examples see “CM Lee Hoo” on register page number 50, “6 C.M. Ah Hoye” on register page number 79 and “CM & C Lady” on register page number 93. Not all given and family names are recorded, as in the case of many clients perceived to be of Chinese heritage, whose entries are generic and general terms such as “Chinamen.” Stated places of residence for the Maynard Studio clientele represented in this record range across British Columbia from in and around Victoria, around South Vancouver Island (locations such as Sidney, Nanaimo, Chemainus and Comox), Salts Spring Island, Haida Gwaii (including Alert Bay), and on the mainland (including Vancouver and Lytton). The register also documents the orders of portrait clients with residences noted as at or near the naval base in the neighbouring community of Esquimalt. Locations such as the dockyard, naval yard or barracks appear listed in the record, as well as the names of British warships that visited the base not limited to: Egeria, Leander, Icarus, Imperieuse, Pheasant and Wild Swan. Many of these client entries are located near the rear of the register.

During the 1870s and 1880s, Hannah and her husband, Richard Maynard, took several working trips, and some they took together where they both practiced landscape photography. This included trips to Vancouver Island, Haida Gwaii (then referred to as the Queen Charlotte Islands) and to Banff, Alberta. She used landscape views as well as studio portraits as source material for composite works, such as the blended “documentary” image of a field photograph depicting a view of community village scene and a studio portrait of an Indigenous women. In the early 1900s, Hannah Maynard supplied ethnographic documentary photographs of Indigenous people of B.C.'s Northwest Coast to the Peabody Museum of Archaeology and Ethnology at Harvard in the United States. In addition to the recorded customer transactions for portraits relating to negative numbers 1025 to 6240, there are several other textual documents found inserted throughout the pages of the register that appear to refer to non-portrait photographs orders furnished through the Maynard Studio. One order handwritten on an excerpt of stationary from the final location of Mrs. R. Maynard’s Photographic Studio on Pandora Street, contains the name and location of G.W. Lilly and Westholme, B.C. and lists the names of several British warships (Pheasant, Imperieuse, Icarus and Wild Swan). Another undated note addressed to Dr. Dorsey at the Field Columbia Museum in Chicago lists a small number of general descriptions noting field and landscape photographs described as depicting Indigenous lifeways and cultural material from communities on the mainland of British Columbia including Bella Coola and Knight Inlet. Finally, located near the beginning of the register there is a single record of correspondence written on The Colonist letterhead between F.A. Harrison and H. Maynard dated March 3rd, 1900 and referring to the return of photographs loaned in 1897.

Mrs. R. Maynard’s Photographic Gallery

Emily Carr art collection

  • PR-2378
  • Collection
  • [ca. 1893]-1945

The collection consists of artwork created or acquired by Emily Carr between ca. 1893 and 1945. This collection was acquired by the BC Archives over many years through donations and purchases. It includes sketchbooks, paintings and other artworks.

Carr, Emily

A.H. Maynard collection

  • PR-1258
  • Collection
  • [between 1896 and 1932]

The collection consists of four discreet collections of photographs, the bulk of which are lantern slides. The majority of the fonds consists of several sets of lantern slides, the bulk of which contain photographic subject matter dating from 1868 to 1930. The photograph collections are attributed to Albert Hatherly Maynard, son of early pioneer photographer Richard Maynard (1832-1907). Within lantern slide collections, slides from creators of other distinct lantern slide collections (likely Charles Frederick Newcombe and William A. Newcombe), appear to be included. A small number of flexible negatives are also included in one of the accessions.

A large number of lantern slides depict scenes of the Fraser River gold rush era of the 1860s, in the regions of Yale to Barkerville, Quesnel and Cottonwood in the interior of British Columbia. Many of the reproductions of photographs featured in the lantern slides in this collection are attributed early pioneer photographer’s works including those created by Richard Maynard during the 1860s and A.H. Maynard’s works produced in the 1920s. It also includes the photographic works of other early B.C. photographers including Frederick Dally (1838-1914), likely Louis A. Blanc who documented similar subjects as the Maynards particularly Barkerville, the Cariboo and the Cariboo Roads in British Columbia during the period before and after the Fraser River gold rush of the 1860s. A small number of photographic works by Frederick Dundas Todd (1858-1926) and F. [Dewitt] Reed are also contained within several of the slide collections.

Accessions 198203-025 and 198203-065 consist of slide compilations that depict a visual narrative of the history of Barkerville, the Cariboo Road and Cariboo region in the B.C. interior during the period of the 1868 Fraser River gold rush era and sixty years later in the 1920s. The bulk of the scenes of the gold mining resource industry, as well as views of transportation roads and routes along the journey to the goldfields. To a lesser extent views of other resources industries (forestry, agriculture, fishing and farming/ranching) are depicted against the nature and lands of the B.C. interior. Mining towns within the Lighting Creek and Williams Creek Districts, including Barkerville (before and after the fire of 1868), Richfield and Cameronton are represented, as well as other scenes representing the following views of gold mining operations: claims sites, posed group portraits and likenesses of miners, equipment and the production activity of early mining technology of associated mining companies, businesses and partnerships in the area. Photographs of mining claims and claims sites and the miners and labourers involved at Mucho Oro, Aurora Gold, Minnehah, Never Sweat; The Rankin Company (Grouse Creek), Ne’er do Weel (Grouse Creek) and the Canadian Grouse Company (Grouse Creek) are included in the sequences. Imagery along and of the Cariboo Road(s) are described as depicting various views, scenes and activities including: freight and trade transportation, transportation methods and transportation routes (ox pack teams, gold escorts; steamer “Reliance” and Fraser River crossings; travelers); views along the Cariboo Road(s) that include the geological terrain of the Fraser River (its river banks and surrounding forested and arid landscapes) at various points along the route to the goldfields including the Fraser Canyon and Lady Franklin Rock; examples of civil engineering as such as bridges; homes and ranches as well as accommodations such as roadhouses and hotels (70, 83, 108 and 150 Mile Houses, Pioneer Hotel, Van Winkel Hotel at Stanley, Colonial Hotel at Soda Creek and the Hastings Hotel) and businesses (Masonic Hall at Barkerville) in colonial service towns and mining communities and settlements. Indigenous communities do not appear to be identified in lantern slide captions, though the geographical regions documented in slides reflect many traditional Indigenous territories in which the Fraser River gold rush traversed and was situated. It appears that traditional Indigenous fishing methods are present in some views, likely in those of the Fraser River. Several photographs of geological specimens (gold nuggets) are included within the set. There appear to be very limited images of regional wildlife. There are a small number of group photographs reflecting the diverse population of gold miners, pioneers and travelers of the Interior B.C. (“Crew of SS "Nechacco"), including women and children. The views from the 1920s, appear to reflect A. H. Maynard’s trips to Barkerville, the Cariboo Road(s) and the Cariboo region. Finally, there are several views described as from the period in between 1868 and the 1920s. These slides depict views including those of the Fraser Valley region by F. Dundas Todd, a surveying team in “East Kootenay” and a few images described as the Okanagan.

A smaller collection of lantern slides (accession 198203-066) feature a random mix of Fraser River gold rush era views, military subjects, theatrical entertainment and other topics. Many slides appear to be images reproduced from works of art, books and other published materials. Documentation of theatrical productions include images of scenes and portraits from Shakespearean plays (Macbeth, Othello, A Winter’s Tale), as well as Anne Hathaway's cottage. It also includes documentation of the destruction of religious institutions during World War I, primarily in Ypres. Some of these slides indicate “mounted by Edgar Fleming, Victoria, B.C.”

Another collection of photographs (accession 198201-068) consist of 107 black and white flexible film negatives depicting Canadian and American views taken between the period of May and June 1914. These include views include of Bowmanville, Toronto and Niagara, Ontario in May 1914; Rochester and New York, New York in May and June, and the "Rio Grande" in Colorado in June of the same year. Photographs of American destinations such as San Francisco, Philadelphia, Atlantic City including Freemount Park, Salt Lake and [Ogden], Denver and Washington, DC are here. Several locations on Vancouver Island identified as Victoria, Saanich and Mill Bay also housed in this group of photographs. This unit also includes film negatives described as “C.P.R.y [Railway] 1914”. 25 copy prints were made from these negatives due to deterioration of original film negatives.16 images of Bowmanville and Toronto in May 1914 and 9 images of Vancouver Island including Victoria, Saanich and Mill Bay are available.

Maynard, Albert Hatherly

Train on a bridge coming out of a tunnel

Item consists of a mount of one photograph on card of a train engine with one car and a caboose. Train is exiting a tunnel through mountain rock across a wooden bridge. Four men are visible on the train. "No. 8" is written in blue pencil on the verso.

Sister And I From Victoria To London Memoirs Of Ods And Ends

One illustrated journal or "funny book" titled "Sister and I From Victoria to London Memoirs of Ods and Ends" by Emily Carr covering her trip from Victoria B.C. to London, England en-route to art studies in France. The images depict humorous events as the sisters travel by rail across Canada to Quebec City where they board The Empress of Ireland across the Atlantic Ocean to Liverpool, and then on to London. Places in Canada include Victoria, Vancouver, Sicamous, Glacier House, Edmonton, Calgary, Medicine Hat, Winnipeg, Montreal, Quebec City.

Attorney-General correspondence

  • GR-1725
  • Series
  • 1912-[ca. 1969]; predominant 1959-1965

The series consists of inward and outward Attorney-General’s Department correspondence created between 1912 and ca. 1969, predominantly between 1959-1965. Records relate to a variety of matters for which the Attorney-General was responsible, including some coroners' reports (within AG file codes C-49 and C-81).

Records are arranged by act and then by file code as assigned by the Attorney-General. File codes represent an act and specific subject matters under the act. Within the files, records are arranged chronologically. Original textual records were destroyed after microfilming. The records were scheduled for full retention.

British Columbia. Dept. of the Attorney-General

My Automobile Trips / Lillian E Maynard

File consists of one family album containing a black leather cover with gold embossing on the cover and 91 photographic prints of various sizes adhered to forty-nine black album pages. Lillian E. Maynard’s life, family, and friends are documented through portrait and landscape photographs as well as newspaper clippings. Members of the Maynard family are depicted including Lillian’s brother Richard James Maynard; Katie Adelaide and her sons Albert, Robert, and Jack Walker; and unidentified infants, babies, children and adults. Landscapes include views of Saanich (Saanich Inlet, Island Highway Saanich Road, Little Cadboro Bay), Oak Bay (McNeill Bay, Willows Beach), Elk Lake, Jordon River, Cameron Lake, Colwood, Courtney, Sooke (Inner Sooke Harbour “Saseenos”) and Mount Baker. The album features a small number of Victoria tourist views including Belmont House at the Parliament buildings, Dunsmuir Castle, Butchart Gardens, Victoria Harbour, and the C.P.R. docks (1927). Near the end of the album are three of Hannah and Richard Maynard’s photographs, including Richard's award-winning landscape view, "The Arm", and two of Hannah’s annual “Gems of British Columbia" composite photographs. The album concludes with a newspaper article "Carry a Camera It Pays, says Fair Motorist" from The Daily Colonist, April 1919. It contains news coverage of a car crash involving Lillian and Richard and features images of the crash, Lillian, and her Kodak camera. In the article, she is credited for documenting the incident and later using the photographic evidence in court.

Maynard, Lillian Elizabeth

Attorney-General correspondence

  • GR-1726
  • Series
  • 1926-1970, predominant 1956-1965

The series consists of inward and outward Attorney-General’s Department correspondence created between 1926 and 1970, predominantly between 1956-1965. Records relate to a variety of matters for which the Attorney-General was responsible, including some ca.1955-1965 coroners' reports (within AG file code C-81-4).

Records are arranged by act and then by file code as assigned by the Attorney-General. File codes represent an act and specific subject matters under the act. Within the files, records are arranged chronologically. Original textual records were destroyed after microfilming. The records were scheduled for full retention.

British Columbia. Dept. of the Attorney-General

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