The fonds consists of records created or acquired by Ozzie Hutchings which document his activities in Anyox and Stewart B.C. The fonds includes two memoirs written by Hutchings, one about the history of Anyox, written in 1966 and one about the history of Stewart, written in 1972.

There are also 63 black and white photographs created or acquired by Hutchings in the 1920s and 1930s which mainly document the 1936 Skeena flood and its impact on Anyox and Terrace as well as snow slides photographs from the 1930s. In addition there are 27 black and white copy prints loaned by Hutchings for copying by the Provincial Archives in 1972. These prints show the town site of Anyox including the dam, the smelter and various fires.

CALL NUMBER: T1148:0001 [and T2747:0001]
RECORDED: [location unknown], 1972
SUMMARY: TRACK 1: Mrs. Pearl DeBolt (formerly Pearl Whitmer) discusses how she came to the Quesnel Forks area in 1947, and the people in the area then (most of whom were miners). She describes the history of Quesnel Forks, which had a population of 8,000 in 1922, when the Cedar Creek boom hit; hunting; ranching; the gold commissioner, Mr. [William] Stephenson; how many white people moved to Barkerville and Chinese miners moved into Quesnel. Martin George discusses his life as a miner in Quesnel Forks after arriving in 1943. Both then discuss what they liked about living in Quesnel Forks, including the weather, geography, and hopes of finding gold. Mr. George describes the process of mining for gold and the value of gold back then (thirty dollars an ounce). Mr. George only made enough to survive; he never was able to accumulate wealth as a gold miner. Mrs. DeBolt discusses more about the geography and history of Quesnel Forks, including some people whose name became place names thanks to Simon Fraser. She recalls moving away from Quesnel Forks in 1965; she claims she was the last person to leave. She describes why the government would not save Quesnel Forks; she says it had to do with hydro power. She describes the roads in and around Quesnel Forks. All the Chinese miners moved north when Quesnel Forks closed down in the 1920s. It became a true ghost town in the mid-1960s. She offers details about the Chinese people in the area, including a ritual where, seven years after a Chinese person died, their bones were exhumed, cleaned and sent back to China. The remains of just three Chinese are left in the cemetery. A grave outside of the cemetery gate may be Mr. Stephenson's, but it may also belong to Mr. Winkley, for whom Winkley Creek is named.
TRACK 2: Mr. Dennis McConnel is interviewed on site in the abandoned Cariboo town of Quesnel Forks. He discusses the buildings in the area; the meeting of the two rivers; the buildings on the banks of the river, which are likely to collapse; tourists digging for relics, such as brass tokens and whisky bottles from the gambling hall; the erosion of the town. A story about moving Mrs. DeBolt's grand piano. Inside an abandoned house, Mr. McConnel and Jurgen Hesse discuss the condition of the house, vandalism, and the Chinese writing on the walls. McConnel discusses mining on the banks of the river; gold panning; artifacts he has found; and the old General Store at Quesnel Forks. [End of interviews]

SUMMARY: "The Hornby Collection" is an anthology of plays, documentaries, interviews and selected fiction for radio -- all written, prepared and produced in British Columbia. "Barkerville" is a poem for voice;s by Florence McNeil, set in BC's most famous ghost town.;

The item is a composite print of a documentary film from 1957. It depicts the expedition of the BC Provincial Museum and the University of British Columbia to Anthony Island in the Queen Charlotte Islands (Haida Gwaii) to salvage Haida totem poles and other relics. Scenes at the abandoned villages of Ninstints, Tanu and Skedans.

Documentary. A portrait of the Queen Charlotte Islands and of some of the people who live there. Sequences focus on Neil and Betty Carey, who live and beachcomb on the secluded west coast of the islands; Haida artist Bob Davidson, who is carving the first new totem pole raised at Masset in many years; Victor Adams, a Haida crab fisherman; logging operations at Skidegate; open-pit mining at Tasu, and life in the mining town; T.L. Williams, who recalls settling on the islands during the land rush before World War I; abandoned settlements and industries; a funeral; teenagers at a dance; netting and hand-canning of sockeye salmon; the Sandspit Earwig Derby; and the ceremonial raising of Davidson's totem pole. The history of the Haida people is outlined. The program also includes excellent footage of the landscape and seascape, and of the region's wildlife.

Documentary. The importance of Canada's forests to the economy. Includes scenes of logging; log drives; huge trees felled by crosscut saw; sawmill and pulp mill operations and the various uses of forest products. Forest fire prevention and forest fire fighting techniques are shown, with shots of a huge forest fire in a mountainous area. No locales are specified, but the footage is clearly shot in BC. In the first sequence, dealing with a prosperous town which becomes a ghost town after a nearby forest fire, Barkerville is the ghost town location.

Travelogue. Scenic and recreational attractions of the West Kootenay area. Includes sequences on Arrow, Christina and Kootenay lakes; mining history, abandoned mine workings, old hotels and ghost towns, including Sandon; Hugh Keenleyside dam (and boat lock there); boating, fishing and water-skiing; Duck Lake wildfowl sanctuary; Meadow Creek kokanee spawning channel; "house of bottles" tourist attraction; Ainsworth Hot Springs; the retired sternwheeler S.S. "Moyie" at Kaslo; the Balfour-Kootenay Bay car ferry; mining museum at Rossland; parade honouring champion skier Nancy Greene, who is seen winning the ladies' slalom in the Du Maurier International at Red Mountain; Trail, including Cominco smelter; Phoenix open-pit mine; Doukhobor village museum and tomb of Peter Veregin; trail riding on the Dewdney Trail; various facilities for visitors.

Industrial film. The life and work of the modern logger is contrasted with the rough-and-tumble era of 40 years earlier. The latter is evoked through effective narration, archival photographs, and historical re-creations filmed at the Cowichan Forest Museum (including extensive footage of a steam locomotive on a logging railway, plus shots of a logging crummy and of a steam donkey yarding logs). In the modern sequences, loggers are shown falling a tree and setting chokers; faller Nick Semchuck [?] leaves his Port Alberni home and travels by crummy to the work site, where he falls, measures and bucks a tree; and logs are loaded onto a truck and followed along a logging road to Kelsey Bay to be dumped into the ocean. There is also excellent "mood" footage of derelict logging camps, bunkhouses, steam donkeys and equipment, and an abandoned village.

Industrial film. The life and work of the modern logger is contrasted with the rough-and-tumble era of 40 years earlier. The latter is evoked through effective narration, archival photographs, and historical re-creations filmed at the Cowichan Forest Museum (including extensive footage of a steam locomotive on a logging railway, plus shots of a logging crummy and of a steam donkey yarding logs). In the modern sequences, loggers are shown falling a tree and setting chokers; faller Nick Semchuck [?] leaves his Port Alberni home and travels by crummy to the work site, where he falls, measures and bucks a tree; and logs are loaded onto a truck and followed along a logging road to Kelsey Bay to be dumped into the ocean. There is also excellent "mood" footage of derelict logging camps, bunkhouses, steam donkeys and equipment, and an abandoned village.