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Nan Cheney: an inventory of her collection in the Library of the University of British Columbia Special Collections Division, prepared by George Brandak.

Presented by University of British Columbia Special Collections, 1979.

The series consists of three letters written to Patricia Keir (and one to "Peggy") between 1941 and 1945. The letters are as follows:
Emily Carr at 218 St. Andrews St., Victoria to Pat, probably written around January 1941.
Emily Carr at 218 St. Andrews St., Victoria to Peggy, dated March 26, 1942.
"Millie" Carr at Mayfair Nursing Home, 1037 Richardson St., Victoria to Pat, dated January 14, 1943.
"Flinkers" (probably Flora Hamilton Burns) at Victoria to Pat, dated May 18th 1945, letter re Emily Carr and her works.
The series also contains an undated clipped newspaper article about Emily Carr.

The papers of Edythe Hembroff-Schleicher, including research files on Emily Carr, Arthur Pitts and the Island Arts and Crafts Society, and personal correspondence and scrapbooks. Edythe Hembroff-Schleicher was a friend and sketching partner of Emily Carr. She wrote two books, M.E.: a portrayal of Emily Carr (1969) and Emily Carr: the untold story (1978). In 1974 she was appointed the "Special Consultant on Emily Carr for the British Columbia government". This collection includes material she gathered during her research, her research correspondence, and drafts of her books and articles. Hembroff-Schleicher also wrote about other subjects, including the British watercolourist Arthur D.J. Pitts who lived in Saanich from 1947 to 1972, and the Island Arts and Crafts Society. Hembroff-Schleicher grew up in Victoria. Her scrapbook and photo albums provide glimpses of life in the city. This collection also includes the journal of her travelling companion, Marian Allardt, during their trip to Europe 1928-29, and her correspondence with fellow artist Max Maynard. The files have been grouped into the following broad thematic categories; duplicates have been removed. Otherwise, the original composition of the files has not been altered: Research - Emily Carr (Boxes 1 to 3); Research - Arthur Pitts (Box 4); Research - Island Arts and Crafts Society (Box 4); Research - Ernest Hemingway (Box 4); Personal - Correspondence and documents (Boxes 4 to 6). The material Hembroff-Schleicher gathered during her research included photocopies of Emily Carr's correspondence. The copies have been retained only if they were annotated, or if they represented collections that are not held by the British Columbia Archives. This collection also included photocopies of all of Emily Carr's correspondence with Ira Dilworth. The photocopies were not retained in this collection because they were not annotated. The originals are in the Parnall (MS-2763) and the Inglis (MS-2181) collections.

This unit consists of 7 printed books and one bank note.
Two of the books were presents from Emily Carr to Flora Hamilton Burns, and the other five were given to Burns by Alice Carr in 1947. The only book with annotations other than the inscription is book number seven, which does contain some underlining.
The bank note was countersigned by Flora Hamilton Burn's father, Gavin H. Burns, who was the manager of the Bank of British North America in Victoria 1889-1901.

The series consists of letters to Emily Carr, from Ira Dilworth, written between 1944 and 1945 and kept by Carr in a CBC envelope marked "IRA'S LLTTERS [sic]". There is also a letter from Charles Comfort [?] dated 1937 and one from Katherine Joly or Daly [?] dated 1945.

The series also includes two essays or chapters written by Emily Carr: White Currants and Time. These are typed, undated copies that eventually formed part of "The Book of Small".

The series consists of three published books given to or acquired by Emily Carr in 1904, 1905 and ca. 1933.
The Works of Ralph Waldo Emerson vol. III: note on flyleaf in Emily Carr's handwriting reads M. Emily Carr from M.O.R.P. Scotland July 14, 1904.
The Poetical Works of Goethe: note on flyleaf in Alice Carr's handwriting reads Emily Carr from A.M.C. Dec. 13th, 1905.
French's Catalogue of Plays, 1933: notes in unknown hand on flyleaf (cover missing).

Set of 10 gouache and ink drawings with text alongside each drawing. The series depicts Emily Carr entering Tregenna Wood, at St Ives, to sketch. She is watched by fellow art students Noel Simmons, Arthur Burgess, Hilda Fearon, Will Ashton and Marion Horne (who appear in the final image) as she heads into the woods. Sketches and text are a cumulative depiction, a new item of clothing or accoutrements is added each scene visually and in words..

The series consists of Emily Carr’s personal correspondence outward, primarily addressed to Lawren Harris. Other letters are addressed to Edna Parnell, Bess (assumed to be Bess Larkin Housser Harris, wife of Lawren Harris), and his trustors.

The records that are dated by Carr date between 1941-1944. Several records are not dated, but are assumed to have been written during the same time period. The majority of the letters are written from 218 St. Andrews Street, which served as Carr’s studio between 1940-1945.

Six newspaper clippings cover a plaque created to honour Emily Carr in 1955.

The series consists of material accumulated by William Bowie who was the Director for the Emily Carr Arts Centre in Victoria, British Columbia. There are 4 black and white photographs, 3 of which are of Emily Carr, and one dating from 1901. The other photo is of a friend, Mrs. Redden. There is a memorial service program from 1980 for Richard Nicholles (Emily Carr's nephew). There is also a book titled Emily Carr: Her Paintings and Sketches that is signed "To Alice with love from Ira", dated 1945. The series also includes a souvenir program titled Canadian Premiere of Klee Wyck: The Emily Carr Film dated 1947, and assorted brochures.

Letters from Emily Carr (46 letters); also 2 letters from Emily Carr to Fred Brand. The typed transcript and the notes attached to them are by Edythe Hembroff-Schleicher.

The series consists of oral history interviews and reminiscences about Emily Carr and other Victoria area artists, recorded by Edythe Hembroff-Schleicher.

One sketchbook with 33 drawings by Emily Carr within. The images include cartoons with verse, posed models. Pages of poetry includes "The Olsson Student" which refers to a separate series of images (PDP06117 to PDP06124) created by Carr, presumably also in 1904 depicting Carr's life in St Ives 1901-1902. Sketches and cartoons set in both Vancouver and Victoria are also included here.

Emily Carr (1871-1945) was a British Columbia artist and writer. The Emily Carr papers in MS-2763 (sometimes known as the Parnall collection) consist of approximately half of the papers and books which Emily Carr bequeathed to Ira Dilworth, her helpmate and literary executor. When Dilworth died in 1962 Emily's papers were divided between his two nieces and adopted daughters, Mrs. Edna Parnall and Mrs. Phylis Inglis. The Inglis collection (MS-2181) is also held by the BC Archives. The two collections are complementary, containing correspondence from the same people over the same period of time.

The Parnall collection includes diaries, notebooks, correspondence, a scrapbook and a collection of books and pamphlets. The diaries, notebooks and correspondence are a rich source of detail regarding Emily's life and travels. The correspondence dates from 1890 to 1945, the bulk having been received between 1941 and 1944. The inward correspondence series includes letters from fellow artists Lawren Harris, J.W. G. Macdonald and A.Y. Jackson, her publisher, Oxford University Press, and Mr. Ira Dilworth. There are also letters from family, fans, and birthday congratulations from many Victoria organizations. The majority of the books relate to the study of art, writing and poetry. Most of books contain annotations, providing interesting insights into her thoughts. There are sketches and photographs in some of the books, as noted in this finding aid. With the exception of one book in Box 7 - How to see modern pictures - the books and pamphlets have not been microfilmed.