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George Clutesi and Annie Hayes interview : [Orchard & Edwards, 196- & 1961 & 1965]

CALL NUMBER: T0848:0001 RECORDED: [location unknown], [196-] SUMMARY: TRACK 1: George Clutesi and his sister Annie Hayes discuss the procedure of the potlatch; the function of potlatches; Indian society; the potlatch and the Indian philosophy of giving; a description of a visitor's arrival; greetings; and gifts. TRACK 2: The discussion about the potlatch continues. Longhouse decorations; lighting; songs and dances; the welcoming song; special songs and dances; the Sea Serpent Dance; costumes; the War Dance; victory and celebration songs; farewell dance and song; the potlatch and Indian society.

CALL NUMBER: T0848:0002 RECORDED: [location unknown], [196-] SUMMARY: TRACK 1: George Clutesi and Annie Hayes discuss the impact of the church and mission schools on Indian society, and the suppression of native culture. They speak of their own father and his role in the preservation of traditions, and the teaching of Indian culture and religion. They also discuss the "secret potlatch" of 1925. and Mr. Clutesi's presentation to the Massey Commission in 1949. TRACK 2: Mr. Clutesi recalls the early meetings held to revive native music and culture at Alberni; the teachings of Tutimias "Gus"; the establishment of the dancing and singing group, Somass Native Echoes; performances for Princess Elizabeth in 1951; folk festivals; performances; costumes; gathering cedar bark for costumes; and the BC Centennial celebrations in 1958.

CALL NUMBER: T0848:0003 track 1 RECORDED: [location unknown], [196-] SUMMARY: TRACK 1: Mr. Clutesi discusses the future of his dance group, Somass Native Echoes, and the need for ethnic pride. [ca. 10 minutes]. CALL NUMBER: T0848:0003 track 2 RECORDED: [location unknown], 1961-06-01 SUMMARY: TRACK 2: Mr. Clutesi recalls the loneliness and fear in his early days at the Alberni residential school; his school experiences; and his changing attitudes toward his home and his native culture. He; mentions his increased appreciation of the native culture, and their philosophy of giving; the improvements made in native education and the establishment of their own school system; and the emphasis; on culture.

CALL NUMBER: T0848:0004 track 1 RECORDED: [location unknown], 1961-06-01 SUMMARY: TRACK 1: Mr. Clutesi tells the traditional story of Master Deer's encounter with the Wolf People. CALL NUMBER: T0848:0004 track 2 RECORDED: [location unknown], 1965-08-10 SUMMARY: TRACK 2: Mr. Clutesi recalls how Anthony Walsh inspired him to continue his career as an artist and to exhibit his paintings. Mr. Clutesi recalls his acquaintance with Ira Dilworth, Lawren Harris an;d Emily Carr. He describes his meetings with Emily Carr, and her influences. He discusses the Indian artist's approach to his work.

Anthony Walsh interview

Tape summary: T1071:0001 Mr. Anthony Walsh discusses his experiences as a teacher at Inkameep Reserve School near Oliver, 1932 to 1942. He explains how he started teaching; the origin of his interest in Indian culture; his impressions of Inkameep reserve; early work with the Indian children; an Inkameep Christmas card; European interest in the Inkameep artwork; the nature of the children's art; native reactions; to white culture; the children's creative work; the school system; teaching at 6 Mile Creek; approaches to art; conditions on the reserve; why he went to Inkameep and then stayed; a description of Inkameep and the influence of the Old Chief. TRACK 2: Mr. Walsh discusses the North Okanagan reserve; the character and traditions at Inkameep; rock paintings; the school; Indian stories as drama; beginnings of school plays; costumes and masks; performances; evaluation by children of plays; reactions; "Tortoise and Hare" play; the children's reaction to school at various ages; and Chief Baptiste George.

CALL NUMBER: T1071:0002 SUPPLIED TITLE OF TAPE(S): Children's drama, dance, and art on Inkameep Reserve, 1932-1942 RECORDED: [location unknown], 1962-07-04 SUMMARY: TRACK 1: Mr. Walsh discusses how Indian cowboys sang native songs; a contest to collect Indian songs; the development of dances from movements of animals such as the deer dance and butterfly dance; native art forms; a description of costumes; recitals; impression on white people; a "radio studio" at the school; recording at CBC Vancouver; a recital at the opening of Thunderbird Park in Victoria; ;art exhibitions in BC and abroad. TRACK 2: Mr. Walsh discusses the Inkameep nativity play; the story of the play; white interests; the Okanagan Arts and Crafts Society; leaving Inkameep; the effects; of war and how the school closed; the effects of the Inkameep experiment; the conditions on the reserve at the time of the interview; a growing understanding by white people; present problems and how; cooperation with white people is essential.;

CALL NUMBER: T1071:0003 track 1 SUPPLIED TITLE OF TAPE(S): A visit with Emily Carr, and experience as a teacher on an Indian reserve RECORDED: [location unknown], 1962-07-04 SUMMARY: TRACK 1: Anthony Walsh discusses his visit with Emily Carr in 1939 or 1940, and their discussion of art and native culture; reflections on his Inkameep experience as the "richest part of my life"; the teacher/pupil relationship; growth from early failures; relations with adult Indians; a comparison of Okanagan Indian culture to other Indian cultures; how Okanagan culture has changed.

Milo Fougner interview

CALL NUMBER: T1272:0001 SUPPLIED TITLE OF TAPE(S): Milo Fougner : arrival of Norwegian colonists in Bella Coola, 1894 PERIOD COVERED: 1894-1936 RECORDED: [location unknown], 1966-08-10 SUMMARY: TRACK 1: Milo Fougner describes the early years of his life (born 1905). He begins with his first impressions of his first trip to Bella Coola including the first sawmill he ever saw, the influence of; the Church in his childhood, the arrival of Norwegian colonists in 1894, the lack of medical personnel, Sunday school at the Lutheran Church, the choir, poetry, organ music, the origins of the majority of the colonists, B.F. Jacobsen's arrival in Bella Coola, details of the colonists arrival in Bella Coola, the reception of the Indians on canoes, and the rivalry with Hudson's Bay people. TRACK 2: Fougner continues with details about life in the colony: transportation, land clearing, Rev. Saugstad, politics, the death of Rev. Saugstad, leadership of the colony after his death, the celebration;s on October 30th, the background of his father (Ivor Fougner), the adaptability of certain colonists, Milo's own life in the colony during the Depression years, industrial activities in the colony in;cluding logging and fishing, and details about the telegraph.

CALL NUMBER: T1272:0002 SUPPLIED TITLE OF TAPE(S): Milo Fougner : memories of Bella Coola colony between 1912 and 1940 PERIOD COVERED: 1912-1940 RECORDED: [location unknown], 1966-08-10 SUMMARY: TRACK 1: Milo Fougner discusses the effects of World War I on the colonists, his father's occupations, and his own feelings toward Indians. Then he discusses the skills, knowledge, slavery, potlatches; and burial ceremonies of Indians. He then discusses growing up with Indian children and funerals including "crying hats". TRACK 2: Milo Fougner tells a story of Mr. Goldbloom who was a fur buyer fro;m 1919-1938, the name Klemtu, Lord Tweedsmuir's visit, nurse Jane Bryant, the Hudson's Bay Post in 1886, Fort McLoughlin, HBC Factor John Clayton, artists Mildred Valley Thornton and Emily Carr, the possibility of the railroad terminus at Bella Coola from 1912-1918, the Dunvegan Railroad, Milo's projections of Bella Coola as an oil line terminus, and cattle drives from 1928-1930.

Kathleen Agnew interview

RECORDED: [location unknown], 1962-05-16 SUMMARY: TRACK 1: Miss Agnew recalls her family coming from Montreal in 1913 and their introduction to Mr. and Mrs. R.P. Butchart. She discusses incidents involving the Butcharts at their home and gardens; t;he early cement site; the Bullen family; Jennie Butchart; the Flumerfelt family; other Victoria families; and her family coming to Victoria. TRACK 2: Miss Agnew recalls her family's first impression;s of Victoria; the family home; social life; the orchestra in Victoria; Emily Carr; Chinese servants; incidents at Prince Rupert; Victoria in the 1960's; tourism; the Empress Hotel; and changes.

Flora Hamilton Burns interview

CALL NUMBER: T1286:0001 RECORDED: [location unknown], 1962-05-18 SUMMARY: TRACK 1: Miss Burns talks about Emily Carr's early years in James Bay; the Richard Carr family and house; recollections of the Carr family; Emily's art education; Emily's first contacts with the Indi;ans in 1898; her studies in France; her trips to northern BC and the exhibition in Victoria where no recognition was given to her work. TRACK 2: Miss Burns continues with her discussion about Emily ;Carr; her art; her financial problems and frustrations; Marius Barbeau's interest in her art; recognition from eastern Canada in the 1920's; trips east and further visits to the Indians on the coast; ;her pottery; hooked rugs; dog breeding; pets; her first writings; her holidays; her friendship with Miss Burns; her personality; appearance and attitudes; artistic isolation; and her love of the west.

CALL NUMBER: T1286:0002 RECORDED: [location unknown], 1962-05-18 SUMMARY: TRACK 1: Miss Burns discusses Emily Carr's religious beliefs; her attitudes towards the Indians' religious beliefs and philosophy of nature; her painting and sketching of the BC landscape; Eric Newton's opinion of her; her later work and ill health. TRACK 2: Miss Burns describes the arrival of her grandfather, William John Macdonald, in Victoria in 1851 to work for the Hudson's Bay Company; her; grandmother, Catherine Reid; her grandfather's work; his role as gold commissioner, collector of customs, and post master; his importing and exporting business; the family's trip to Scotland; W.J. Macdonald's political career; his position as Senator from Vancouver Island in 1872; his appearance; her grandmother's family; "Armadale", the family estate in James Bay, and the subdivision of the property.

CALL NUMBER: T1286:0003 RECORDED: [location unknown], 1962-05-18 SUMMARY: TRACK 1: Miss Burns talks about Senator Macdonald's trips to England; his homes in Victoria; social life at "Armadale"; garden parties; entertaining the navy; and the Burns family. [TRACK 2: blank.]

CBC Wednesday night : Portrait in memory -- Emily Carr

SUMMARY: "CBC Wednesday Night" was a multi-part series that featured performances of classical music, opera, drama, as well as readings, documentaries and talks. It ran from the early 1950s to October 27, 1963; in the 7:30 to 11:00 p.m. time slot. This episode is a documentary portrait of Emily Carr -- painter of the British Columbia forest, writer, eccentric -- and by some called a genius. Includes excerpts from interviews with Flora Hamilton Burns, Margaret Clay, Ira Dilworth, Laura Jamieson, Kate Mather, Edith Rive, ethnographer Marius Barbeau, art dealer Max Stern, and painters Arthur Lismer, A.Y. Jackson and Lawren Harris.

The Hornby collection : Emily

SUMMARY: "The Hornby Collection" is an anthology of plays, documentaries, interviews and selected fiction for radio -- all written, prepared and produced in British Columbia. "Emily" is a play by Anne Sniderman about the middle years of the Victoria painter Emily Carr. It depicts Carr taking her first trip across Canada by train to show her paintings at the National Art Gallery in Ottawa. Joy Coghill stars in the title role.

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