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Carr, Emily
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Personal and family records

Series consists of personal and family records created and assembled by Jean Donald Gow in her career as an illustrator, artist, and wife of a Canadian naval officer while stationed in Victoria and elsewhere from the 1920s to the 1950s. The series also includes records relating to her father, Dr. David Donald, and research notes on Emily Carr, the Esquimalt Group of artists (with whom Gow was associated while living in Victoria in the 1920s), and the Maritime Museum. The series contains over 600 b&w photographs, the majority of which are housed in two albums: one which focuses on World War I and another which is a personal family album. There are loose photographs interfiled throughout (these are indicated in the file list). There is also one oversized exhibition record for "Jean Donald" from the Royal Drawing Society, which lists her awards obtained in 1921-1922, and 1924. A final line dated 1926 has been added in pencil.

Photographs gathered for research

File consists of 6 b&w photographs, some of which are copyprints from BC Archives, City of Victoria Archives, and Bancroft Library at University of California Berkeley. Photographs have captions on verso provided by Edythe Hembroff-Schleicher. Photographs are of a painted portrait, memorial to Robert Burns in Beacon Hill Park, Nan Cheney and Emily Carr, Architectural Museum in London, Mark Hopkins mansion in San Francisco, and Mr. and Mrs. Richard Carr (BC Archives reference number HP024834, A-9184)

Miscellaneous letters relating to Cridge family

The file contains a photocopy of a letter from Mary Cridge to her sister-in-law, Elizabeth, written from the Marquis of Bute ca. 1855 (including a transcript copy); a photocopy of a letter from Harold W.H. Helby to Emily Carr, June 1944, in which he describes being in Victoria as a midshipman in 1882 and visiting the Cridge family and a photocopy of an Archives pioneer form for Bishop Cridge filled out by Maude Cridge.

Cridge Family (Edward Cridge, 1817-1913). Victoria

Emily Carr fonds

  • PR-1263
  • Fonds
  • 1869-1953

The fonds consists of correspondence, diaries, notebooks, scrapbooks, financial records, manuscripts, photographs and paintings.

Carr, Emily

Newcombe family papers

Correspondence, notebooks, subject files, accounts, annotated books, etc., of C.F. Newcombe and his son W.A. Newcombe, reflecting their interest in the ethnology, natural history and history of British Columbia. Newcombe family papers. The G.T. Emmons collection, consisting of correspondence, notes and manuscripts, mainly on the Tlingit Indians. Maynard family papers, consisting of diaries and papers of Richard and Hannah Maynard, Victoria photographers, and their son Albert. Papers of Emily Carr, and re her estate, of which W.A. Newcombe was an executor.

Volumes 21 to 30 were arranged by the BC Archives in 1975.

Volumes 31 to 59 were arranged by the Royal BC Museum, ca. 1970. BC Archives volume and file numbers have been added to the these volumes.

Volumes 239/240 were Found In Collection in the Archives in 2022 and added to the collection.

  • An asterisk beside a file number indicates that the file contains letters to or from both C.F. Newcombe and W.A. Newcombe.

Table of Contents: Box/file

Table of Contents: Microfilm reels

Detailed box and file list

Emily Carr papers

Emily Carr (1871-1945) was a British Columbia artist and writer. The Emily Carr papers in MS-2763 (sometimes known as the Parnall collection) consist of approximately half of the papers and books which Emily Carr bequeathed to Ira Dilworth, her helpmate and literary executor. When Dilworth died in 1962 Emily's papers were divided between his two nieces and adopted daughters, Mrs. Edna Parnall and Mrs. Phylis Inglis. The Inglis collection (MS-2181) is also held by the BC Archives. The two collections are complementary, containing correspondence from the same people over the same period of time.

The Parnall collection includes diaries, notebooks, correspondence, a scrapbook and a collection of books and pamphlets. The diaries, notebooks and correspondence are a rich source of detail regarding Emily's life and travels. The correspondence dates from 1890 to 1945, the bulk having been received between 1941 and 1944. The inward correspondence series includes letters from fellow artists Lawren Harris, J.W. G. Macdonald and A.Y. Jackson, her publisher, Oxford University Press, and Mr. Ira Dilworth. There are also letters from family, fans, and birthday congratulations from many Victoria organizations. The majority of the books relate to the study of art, writing and poetry. Most of books contain annotations, providing interesting insights into her thoughts. There are sketches and photographs in some of the books, as noted in this finding aid. With the exception of one book in Box 7 - How to see modern pictures - the books and pamphlets have not been microfilmed.

Flora Alfreda Hamilton Burns fonds

  • PR-1148
  • Fonds
  • 1880-1987

The fonds consists of research notes and essays on Emily Carr, personal correspondence (including letters from Emily Carr and Sophie Pemberton), family memorabilia and photographs. Fonds also includes books given to Flora Burns by Alice and Emily Carr.

Burns, Flora Alfreda Hamilton

Flora Alfreda Hamilton Burns papers

Flora Alfreda Hamilton Burns (1891-1983) was a freelance writer based in Victoria. This collection contains her research notes and correspondence and also material relating to her family. Her maternal grandfather, W.J. Macdonald, arrived in Victoria to work for the Hudson's Bay Company in 1851. He later became the mayor of Victoria, a member of the legislative assembly and finally a senator. Her father, Gavin Hamilton Burns, was the manager of the Bank of British North America in Victoria between 1889-1901. Her mother, Mrs. Gavin (nee Flora Alexandrina Macdonald) Burns, was a close friend of Sophie Pemberton (Beanlands/Dean Drummond). Emily Carr was a friend of both Flora Hamilton Burns and her mother. There are letters in this collection from the artist Sophie Pemberton to Flora Alexandrina Burns during her travels to California (1902), Europe (1902-1904) and later, her residence in England. The close friendship between the two results in a very informative correspondence. The letters from Emily Carr are equally interesting, revealing details of the artist's life and travels (1924-1943). The collection also includes a letter from Edith Carr to Mrs. Flora Burns (1891) and a letter from Lizzie Carr to Miss Flora Hamilton Burns (1924). Flora Hamilton Burns published a number of articles on Emily Carr and participated in exhibitions and other projects to commemorate the artist. Notes and drafts for the articles and other projects are in this collection. Boxes 3 and 4 of the collection contain material relating to Flora's parents, Mr. and Mrs. Gavin Burns. Their correspondence provides a glimpse of life in Victoria in the 1890s. Mr. Gavin Burns' notes on the history of the Bank of British North America are also included. Earlier accessions of Miss Burns papers include Add. MSS. 317 and MS-2663.

Books given to Flora Burns by Emily and Alice Carr

This unit consists of 7 printed books and one bank note.
Two of the books were presents from Emily Carr to Flora Hamilton Burns, and the other five were given to Burns by Alice Carr in 1947. The only book with annotations other than the inscription is book number seven, which does contain some underlining.
The bank note was countersigned by Flora Hamilton Burn's father, Gavin H. Burns, who was the manager of the Bank of British North America in Victoria 1889-1901.

Emily Carr art collection

  • PR-2378
  • Collection
  • [ca. 1893]-1945

The collection consists of artwork created or acquired by Emily Carr between ca. 1893 and 1945. This collection was acquired by the BC Archives over many years through donations and purchases. It includes sketchbooks, paintings and other artworks.

Carr, Emily

Maude Eighmey McVicker fonds

  • PR-2271
  • Fonds
  • [1899?], 1908-1952

The fonds consists of a painted, cedar box that contained correspondence by Emily Carr and others to Mrs. McVicker, publications by Mrs. McVicker, newspaper clippings about Carr, a wooden doll reputed to have belonged to Carr, a 1908 framed copy photograph of Carr and her pet crow (from ca 1887), and a framed artwork. The box may have been painted in 1949 by George Clutesi with Haida designs copied from a 1905 publication by John R. Swanton. The box and the doll were transferred to the Human History Division of the RBCM.

McVicker, Maude Eighmey, 1867-1952

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