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The series consists of operational records of the Department of Anthropology at the British Columbia Provincial Museum and it's predecessor, the Provincial Museum of Natural History and Anthropology. The records are often referred to as the Wilson Duff Papers, as a significant portion of the series consists of original research notes made by Duff, curator of Anthropology at the museum from 1980-1965, in the course of his work with Indigenous communities in British Columbia. Some field notes of other museum anthropologists are also included, as well as correspondence, subject files, and records relating to totem poles in British Columbia.

Staff of the Department of Anthropology conducted research work documenting the history, culture, and languages of Indigenous communities in British Columbia. Records include field notes, maps, transcripts of interviews, correspondence, subject files, and copies of published and unpublished works.

The series has been arranged into the following five sub-series:

A: Wilson Duff research notes
B: Administrative records and correspondence
C: Totem poles 1950-1975
D: Subject files 1945-1968
E: Ethnology field notes

Fonds consists of mulitmedia records documenting Ida Halpern's professional work and private affairs of her life in Canada. The records document predominantly Halpern's study of the art and culture of First Nation's communities on the West Coast of British Columbia. In particular, Halpern's studies focus on the musical traditions and cultures of First Nations communities. Halpern's recordings include music from the Kwakwaka'wakw peoples, Nuu-chah-nulth peoples, Haida peoples, and the Coast Salish peoples. There is also a considerable amount of textual material concerning Halpern's study of her recordings and publication of her conclusions on her work. Material from her writings as a music critic and supporter of local arts comprises a smaller portion of the fonds. There are also records of Halpern's private affairs in the form of correspondence, photographs and various ephemera.

The fonds consists of Violet McNaughton's notes and clippings relating to Mungo Martin and his carving of a totem pole for Windsor Park in 1958.