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Maynard family collection
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British Columbia general views and Victoria and vicinity

Series consists of 382 photographs produced primarily by Hannah or Richard Maynard. Other photographers may also be identified on some negatives. Images depict locations around Victoria, including downtown, Beacon Hill, Esquimalt, and the Gorge, as well as other places within British Columbia that could not be otherwise attributed to the Maynard's field photography. Scenes include Victoria street scenes, churches, the Inner Harbour, regattas, farming, and forests.

Canadian Pacific Railway (C.P.R.) photographs

Series consists of 545 photographs of the Canadian Pacific Railway (C.P.R.), thought to be taken by Richard or Hannah Maynard. In 1880-1881, Richard Maynard was hired to document the construction of the C.P.R. but photos within this series may have been taken at later dates or by other photographers. Images depict trains ("rolling stock"); views of locations along the construction route, including rivers, bridges, and mountains; tracks and construction in progress; wrecks following accidents; snowsheds; and portraits of workers.

Maynard (family)

Cape Flattery man

Cape Flattery man

Item consists of a studio portrait of a Makah (Nuu-chah-nulth) man from Cape Flattery region in what is now known as Washington State.

Charles Redfern and family

Charles Redfern and family

A studio portrait taken at a photographic studio attributed to Mrs. R. Maynards Photographic Gallery, part of a larger portfolio of individual and group studio portraits of Maynard clientele. The portrait (full-length) consists of a group of nine unidentified individuals (2 adults seated and seven youth seated and standing). It is likely a portrait of the Redfern family, featuring Charles Redfern. It is a gelatin dry glass plate negative (10x12 inches). The studio flooring (geometrical pattern tiling, fur rug), furniture (chairs and other furniture), props (rocking horse) and scenic backdrop (parlor scene by a window and fireplace and large painting) are visible. This image depicts a wider view of the portrait studio. The top and side edges of the scenic backdrop are visible revealing a view to the back of the room. A door is visible on one side, as well as photographic devices (such as lighting equipment - panels). There is an alternate studio backdrop rolled up onto of the backdrop in use. This negative has been manipulated (e.g. there are minor touch-ups around the faces of the sitters and touch-ups on the hands of the adult sitters).

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