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Maynard family collection
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Experimental photographic works of Mrs. R. Maynard’s Photographic Gallery

Series consists of 41 photographs produced by Hannah Maynard of Mrs. R. Maynard’s Photographic Gallery between 1880 and 1899. Images were examples of Maynard's advanced technical photographic skill in producing experimental works such as photocollages, composites, cut-and-paste montages, photosculptures (referred to by Maynard as “living statuaries” or “statuary from life”) and double- or multiple-exposure portraits. Photographs were produced as commercial products and to promote Maynard's photographic portfolio. Some of the composite photographs feature landscape views attributed to Richard Maynard.

Maynard, Hannah (Hatherly)

Field photograph depicting a detail of a community village site (featuring two carved human figures holding a ladder) on Vancouver Island attributed to Richard Maynard.

Field photograph attributed to Richard Maynard, part of a number of field portraits taken of a community village/settlement site by Richard Maynard during a government tour of inspection of Indigenous communities on Vancouver Island with I.W. Powell via the H.M.S. Boxer in 1874. Field photograph consists of a detail of a community village site, featuring two carved human figures holding a horizontal ladder surrounded by wooden racks and community buildings. It is a collodion glass plate negative (3.25x 4.5 inches). This negative has been manipulated. A section of the photograph (below the canoe at the bottom of the image) has been filled in to cover a gap in the emulsion that has a rectangular shape similar to a paper photographic caption. There are also [red paint] marks filling in areas with cracks in the emulsion (see top of image and at the top of the image above the side of the canoe).

Field photograph of an unidentified Indigenous individual (adult) taken at a land-based portrait studio attributed to Richard Maynard.

Field photograph attributed to Richard Maynard, part of a number of field portraits take at a land-based studio by Richard Maynard at one of the communities visited with I.W. Powell via the H.M.S. Boxer in 1873. It is a collodion glass plate negative (5 x 5 inches).The photograph consists of an unidentified Indigenous individual seated on a photographer’s negative box at a temporary outdoor photography studio. The temporary studio backdrop (blanket), temporary studio flooring (bare land), and temporary furniture (photographer’s wooden negative box) are in view. The sitter wears their hair short (shoulder length), does not wear clothing on the top of their torso, has bare feet and a blanket wrapped around their waist. Both hands are situated on their lap, and the sitter’s gaze is directly facing the camera. The sitter wears earrings in both ears (circular pendants) and a necklace with a long chain made of a cord (no visible pendant). The photograph depicts a wider view revealing the structure to which the temporary studio is constructed against, as well as the tree lined environment behind the building on one side. This negative does not appear to have been manipulated.

First bridge over the Gorge, Victoria Arm

Item consists of one photograph depicting the first Gorge Bridge (ca. 1850-1867), crossing The Gorge waterway at Victoria Arm, Victoria, B.C. The bridge was constructed using only four logs. Pictured left to right are Albert Maynard and J.M. Reid.

Flowers from Alaska

Item consists of one studio photograph of a vase of flowers from Alaska, in front of a solid background. A striped fabric is draped across the surface beneath the vase.

Fort Rupert?

Item consists of a photograph identified as possibly being Fort Rupert. The photograph may be of a gravesite.

Fraser River at Boston Bar

Item consists of photograph of the Fraser River at Boston Bar. The photograph is attributed to Richard Maynard, but may have been taken by Frederick Dally.

Gathering at Knight Inlet

Item consists of a photograph Kwakiutl gathering at Tsawatti (Dzawadi), also known as Knight Inlet. The chief is pictured in the centre is likely Chief Wawkash [Wakash]. An alternate version of this photograph (PN-02291-A) identifies him as "Gomowe, Chief of the Sea Gull House."

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