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Carr, Emily England
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Art school, St. Ives, early 1900s

One postcard photograph showing Emily Carr and other students in class at St Ives, Cornwall, England. Emily Carr has been identified as the student standing on the left with her back to the camera, wearing a hat and an apron. An unknown hand has written Emily and an arrow on the face of this postcard photograph. The image shows an art class given by either Julius Olsson or Algernon Talmage at the Harbour Studios, St. Ives. Art students Will Ashton and Hilda Fearon to Carr's left. Carr was in St. Ives 1901-1902.

Herbert Lanyon was a professional photographer resident in St Ives.

At six o'clock (...)

Item consists of 1 drawing and 1 set of verse.

Full text of verse [sic]:
At six o'clock from sleep I wake
By Kendal who my pillows shake,
Will you get up you lazy Carr?
The sun o'er chimney-pots a far
Is rising and tis deep transgression
To sleep and miss todays procession
Oh, slowly out of bed we rise
With woeful, weary, sleepy eyes,
Tis half-way dark and chilly too
And Kendals nose is red and blue.

Black-bound sketchbook "A".

One sketchbook with 130 drawings by Emily Carr, several pages of written text including lists, poems and commentary. This book appears to primarily document her time in St. Ives in Cornwall, outside the hours of her formal art schooling there.

Black-bound sketchbook "B"

One sketchbook with 33 drawings by Emily Carr within. The images include cartoons with verse, posed models. Pages of poetry includes "The Olsson Student" which refers to a separate series of images (PDP06117 to PDP06124) created by Carr, presumably also in 1904 depicting Carr's life in St Ives 1901-1902. Sketches and cartoons set in both Vancouver and Victoria are also included here.

Black-bound sketchbook "C"

One sketchbook with 21 drawings by Emily Carr. The drawings include figure studies, cartoon drawings and document activities in 1902 at art school in Bushey, Hertfordshire, England. They do not include her 1901 sojourn in Bushey. Some cartoon sketches may convey domestic incidents while boarding in private homes and include incidents concerning her landladies. One sequence appears to date from after her return to Victoria, 1904. There are also a number of poems written by Carr, notes and text that provide context for these and other sketches in the Carr fonds. The sketches include cartoon drafts for other finished works.

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