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Provincial poster collection

Series consists of posters created by various B.C. government ministries. Topics and events include, but are not limited to, centennial and bicentennial celebrations, travel within the province, Expo 86, venereal disease prevention, drinking-driving counterattacks, trades' skill profiles, birds, animals, and environmental protection.

Flora Alfreda Hamilton Burns papers

Flora Alfreda Hamilton Burns (1891-1983) was a freelance writer based in Victoria. This collection contains her research notes and correspondence and also material relating to her family. Her maternal grandfather, W.J. Macdonald, arrived in Victoria to work for the Hudson's Bay Company in 1851. He later became the mayor of Victoria, a member of the legislative assembly and finally a senator. Her father, Gavin Hamilton Burns, was the manager of the Bank of British North America in Victoria between 1889-1901. Her mother, Mrs. Gavin (nee Flora Alexandrina Macdonald) Burns, was a close friend of Sophie Pemberton (Beanlands/Dean Drummond). Emily Carr was a friend of both Flora Hamilton Burns and her mother. There are letters in this collection from the artist Sophie Pemberton to Flora Alexandrina Burns during her travels to California (1902), Europe (1902-1904) and later, her residence in England. The close friendship between the two results in a very informative correspondence. The letters from Emily Carr are equally interesting, revealing details of the artist's life and travels (1924-1943). The collection also includes a letter from Edith Carr to Mrs. Flora Burns (1891) and a letter from Lizzie Carr to Miss Flora Hamilton Burns (1924). Flora Hamilton Burns published a number of articles on Emily Carr and participated in exhibitions and other projects to commemorate the artist. Notes and drafts for the articles and other projects are in this collection. Boxes 3 and 4 of the collection contain material relating to Flora's parents, Mr. and Mrs. Gavin Burns. Their correspondence provides a glimpse of life in Victoria in the 1890s. Mr. Gavin Burns' notes on the history of the Bank of British North America are also included. Earlier accessions of Miss Burns papers include Add. MSS. 317 and MS-2663.

Peter Cotton papers

Peter Neve Cotton was one of Victoria's most distinguished architects. He designed many contemporary homes and business complexes, but was best known for his restoration and heritage architecture. Among the buildings he restored were Craigflower Manor, Craigflower School House, Emily Carr House, Point Ellice House, and St. Andrew's Roman Catholic Cathedral. He also refurbished the old post office in Duncan (now Duncan City Hall). Cotton was born in Merritt, B.C. on 13 March 1910. He spent his boyhood in New Westminster and attended local schools. He worked in the design departments of several large retail stores in Vancouver and in 1939 enlisted in the Canadian Army. He went overseas with the Seaforth Highlanders, then transferred to the British Army Intelligence Branch. He served with distinction in Egypt and Italy and was discharged with the rank of captain. At the end of the war, Cotton enrolled at the University of British Columbia (UBC). He graduated with a degree in architecture and was instrumental in the founding of UBC's faculty of architecture. He afterwards studied design at the Massachusetts Institute of Technology (MIT) and art history at the University of Victoria. A keen historian, Cotton also devoted considerable time to independent research at the Victoria and Albert Museum, the Provincial Archives of British Columbia, and various American institutes and academies. Prior to settling in Victoria in the late 1950's, Cotton and fellow architect, Alfred Staples, designed and manufactured furniture in Vancouver. Their modernistic pieces were marketed under the name "Perpetua." Cotton then joined the architectural staff of the provincial Department of Public Works and was involved with the rebuilding of Government House - an experience which sparked his interest in historical architecture. That interest was expressed not only in his heritage building projects, but also in his manuscript history of B.C.'s vice-regal mansions. In 1961 Cotton set up his own architectural practice, one of which he subsequently conducted from his own heritage home on Admiral's Road, Esquimalt. His practice grew substantially in the late 1960's, as public interest in historic buildings increased. Cotton's practice and reputation increased further in the 1970s, despite the fact that Cotton suffered from a circulatory disease. The disease cost him his right leg, which was amputated in 1977. The disease also contributed to his death on 31 December 1978. The collection chronicles the whole of Cotton's life and reflects his many interests and activities. Records include: diaries, daybooks, school report cards, undergraduate papers, and personal correspondence inward plus letters written by Cotton while serving with Canadian Army overseas, 1940-1945, financial records, business correspondence, and project files relating to Cotton's work as architect and interior designer, along with notes, reports letters, and sketches relating to heritage buildings in British Columbia (primarily in Victoria).

Cotton, Peter Neve, 1918-1978

Sketchbooks

Series consists of sketchbooks created by Jean Donald Gow between 1920 to 1954.

Emily Carr papers

Emily Carr (1871-1945) was a British Columbia artist and writer. The Emily Carr papers in MS-2763 (sometimes known as the Parnall collection) consist of approximately half of the papers and books which Emily Carr bequeathed to Ira Dilworth, her helpmate and literary executor. When Dilworth died in 1962 Emily's papers were divided between his two nieces and adopted daughters, Mrs. Edna Parnall and Mrs. Phylis Inglis. The Inglis collection (MS-2181) is also held by the BC Archives. The two collections are complementary, containing correspondence from the same people over the same period of time.

The Parnall collection includes diaries, notebooks, correspondence, a scrapbook and a collection of books and pamphlets. The diaries, notebooks and correspondence are a rich source of detail regarding Emily's life and travels. The correspondence dates from 1890 to 1945, the bulk having been received between 1941 and 1944. The inward correspondence series includes letters from fellow artists Lawren Harris, J.W. G. Macdonald and A.Y. Jackson, her publisher, Oxford University Press, and Mr. Ira Dilworth. There are also letters from family, fans, and birthday congratulations from many Victoria organizations. The majority of the books relate to the study of art, writing and poetry. Most of books contain annotations, providing interesting insights into her thoughts. There are sketches and photographs in some of the books, as noted in this finding aid. With the exception of one book in Box 7 - How to see modern pictures - the books and pamphlets have not been microfilmed.

Rithet family personal papers and business records

Series consists of correspondence and letterbooks of R.P. Rithet, Elizabeth (Munro) Rithet (wife of R.P.R.), John Rithet, W.J. Munro, 1868-1915; miscellaneous notebooks and papers of various members of the Rithet family; ledgers and cash books of Welch, Rithet and Co., 1863-1879 with sundry time sheets, 1944; indentures, 1860-1897; sealing captain's assignments with R.P. Rithet and Co. concerning indebtedness and bill of sale of various schooners.

Blank Ontario Drawing Book No. 1

One sketchbook PDP08791 originally containing PDP08792 through PDP08820 containing still lifes, geometric studies, coastal and forest, landscapes, monumental poles and canoes.

Journalism and essays

Series consists of articles, typescript drafts, essays, biographies, notes, clippings, etc. relating to Alaska, the history of British Columbia, historic sites in British Columbia, Indigenous people of British Columbia, the pelagic sealing industry, etc. The series also includes invitations to events and 124 black and white photographs, mostly of Smith's time in Japan and China.

Blank Ontario Drawing Book No. 1.

One sketchbook with 32 drawings by Emily Carr and 6 blank pages. The drawings are all untitled and have no dates applied. They have been dated by Carr scholars as between 1930 to 1939. The sketches include brief unfinished graphite impressions, stylistic landscapes and forest interiors and some First Nations subject matter. At times the pages hold more than one sketch.

Lightning Creek correspondence and reports

  • GR-0199
  • Series
  • 1909-1932

The series consists of correspondence and reports created by the Dept. of Mines between 1909 and 1932 re Lightning Creek Gold Gravels and Drainage Company Ltd. and the activities of Charles Henry Unverzagt.

4 blueprint maps were transferred to the Map Division and given individual item level numbers:
CM/A2066: Section six (6) Lightning Creek drill map, Wingdam, B.C.
CM/A2067: [Map of the Cariboo Mining District] / drawn by E. Hence, 35 B'way, N.Y. City
CM/B2038: Plan of lease holds and real estate claims, Lightning Creek owned by the late Cariboo Consolidated Ltd. (excepting the Gladstone R.E) and purchased by L.A. bonner about 1907 / traced by Vancouver Map & Blue from original prepared by Cariboo Consolidated Ltd.
CM/B2039: Map of Lightning Creek, Cariboo, B.C. showing properties and concessions of the Lightning Creek Gold, Gravels and Drainage CoY Ltd. / E. Kingscombe Arch. Vancouver, B.C.

A promotional poster was transferred to the Visual Records Division and given the item number PDP09743.

British Columbia. Dept. of Mines. Deputy Minister

Sketchbook

One sketchbook with 9 pages of drawings both watercolour and graphite. All are untitled so titles are based on subject matter. Originally the sketchbook would have held many more pages. The back cover is not extant.

Indian Designs from Boas

One sketchbook with 30 drawings by Emily Carr. The drawings are of First Nations designs and landscapes including Alert Bay dating from 1930 to 1939. The drawings are copied from illustrations in Franz Boas, Primitive Art, published in Oslo, Norway, 1927. Carr copied them as a means of familiarizing herself with the forms and artistic conventions of First Nations monumental art of the Northwest Coast of British Columbia. Information matching each sketch to a page in Primitive Art was provided by Carr scholar Dr Gerta Moray and is filed in the documentation file for PDP05647.

Books & odments

One sketchbook with 29 pages of drawings by Emily Carr. The drawings are of First Nations subject matter and landscapes.

Sketchbook

One sketchbook with 34 drawings by Emily Carr. The drawings are in the main abstract forest and tree designs and dating from 1930 to 1939.

Nootka

One sketchbook with 43 drawings by Emily Carr. The drawings appear to have been created on her 1929 trip up the west coast of Vancouver Island to Nootka Sound and another in 1930 to Quatsino Sound. They include sketches of landscapes, settlements, beaches, and stylized interpretations of forests and trees, along with a handful of copies she made of First Nations designs on the Captain Jack pole at Yuquot. Several pages have notations about colour, geographical locations or descriptions of scenery.

Kitwancool

One sketchbook containing 54 pages of drawings or sketches by Emily Carr. The drawings and watercolour sketches principally relate to her 1928 trip to the Gitxsan villages of Gitanyow (Kitwancool), Gitwangak (Kitwanga), Kispiox and other locales in the vicinity and include images of totem poles, villages and landscapes, her renditions of First Nations design motifs.

Blank Ontario Drawing Book No. 1. Ottawa sketchbook.

One sketchbook comprising 38 sketches made while on a trip to Ottawa in 1927 when she met members of the Group of Seven. Drawings are of objects on display in the collection of the National Museum, particularly those with Northwest Coast aboriginal designs that Carr copied for reference. Carr's notes regarding colours and design aspects are also present on the drawing pages.

Blank Ontario Drawing Book No. 1. Ottawa 3658

One sketchbook comprising 26 sketches made while on a trip to Ottawa in 1927 when she met members of the Group of Seven. Drawings are of objects on display in the collection of the National Museum, particularly those with Northwest Coast Indigenous designs that Carr copied for reference. Carr's notes regarding colours and design aspects are also present on the drawing pages.

Sister And I From Victoria To London Memoirs Of Ods And Ends

One illustrated journal or "funny book" titled "Sister and I From Victoria to London Memoirs of Ods and Ends" by Emily Carr covering her trip from Victoria B.C. to London, England en-route to art studies in France. The images depict humorous events as the sisters travel by rail across Canada to Quebec City where they board The Empress of Ireland across the Atlantic Ocean to Liverpool, and then on to London. Places in Canada include Victoria, Vancouver, Sicamous, Glacier House, Edmonton, Calgary, Medicine Hat, Winnipeg, Montreal, Quebec City.

Pringle family correspondence

The series consists of letters from Alexander David Pringle to his wife and his father in England, describing his journey from England and his life in Hope; letters of his wife, Marie Louisa Pringle, to Pringle's relatives and to her brother in England; outline notes of a book on B.C. [drawn up by M.L. Pringle for A.D. Pringle?]; pen and ink sketch of interior of rectory, Hope, 1859; post card, 1909, with picture of "Church of England, Hope, B.C.".

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