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Series consists of records related to Mount St. Mary Hospital in Victoria, during the time that the Sisters of St. Ann administered and staffed the institution.

Mount St. Mary Hospital was founded in 1941 as a home for “the aged and infirm and chronic cases” as an adjunct to the nearby St. Joseph’s Hospital. The land on which the hospital was built was purchased in 1939 from the Roman Catholic Diocese of Victoria, and that same year the Provincial Government announced a grant of $50,000 to the Sisters for the construction of the facility. The first building was completed in 1941.

In 1965, Mount St. Mary Hospital was asked to initiate an extended care program. A Board of Management was formed in 1967 and the constitution and bylaws were approved in 1968. The board consisted of nine members, six appointed by the Sisters of St. Ann, one appointed by medical staff and one by the City of Victoria. In 2003, the old Mount St. Mary Hospital on Burdette Street was demolished and the new Mount St. Mary on the corner of Fairfield Road and Quadra Street opened. From September 1990, Mount St. Mary Hospital has been owned and operated by the Marie Esther Society.

The records in this series are arranged into five subseries: A. Administration; B. Board of Management and Committees; C. Finance; D. Patient records; E. Photographs, artworks, and moving images.

The series consists of an assortment of over 600 black and white photos and negatives, largely attributed to Ernest Crocker. Many of these are of familiar Crocker themes, such as World War One, houses and buildings in Victoria, portraits of families and individuals, as well as scenic photos, taken largely on Vancouver Island, but also British Columbia as well as overseas. In addition, there is some ephemera in the form of postcards, advertising brochures, correspondence to Ernest Crocker, sales receipts with regards his many clients who purchased his photos, as well as his price lists. Within the series is the embossed metal stamp for 'Trio'.

Other material within the series consists of items that was apparently collected by Crocker during his lifetime. This includes correspondence and postcards, photos by other photographers, and a piece of artwork by John P. Peters.

Given the large volume of other Crocker material in this fonds, it is possible that there are duplicates of some of his photos (notably those relating to WW1), within this series. There is also material that is unique, however, such as the 'Trio' stamp, his correspondence, and order slips.

The dates of the series are from 1887 to around the end of World War 2 in 1945.

Item is a painting depicting Trial Island from Beach Drive, Victoria, BC

John Douglas Leechman, anthropologist and author, was born in London, England on December 20, 1890. Educated in the United Kingdom, Egypt and Switzerland, Leechman emigrated to Canada in his youth, served with the Canadian Mounted Rifles in the First World War and, after demobilization in 1917, apprenticed at the Victoria Public Library. In 1918, Leechman enrolled at the University of Washington to pursue a degree in Library Science but left the university prior to completing his degree. In 1924, while residing in Victoria, he applied for and won a position with the Anthropology Division of the National Museum of Canada in Ottawa, where he remained until 1955. During his thirty one years in Ottawa, Leechman spent part of his free time teaching evening courses in journalism at Carleton University and acquiring his BSc., M.A. and Ph.D. degrees. In 1955 Leechman left the National Museum to become the first Director of the Glenbow Foundation in Calgary. He retired from this position in 1957, moved to Victoria and was shortly thereafter engaged by the Federal Government to aid in the restoration of Fort Langley and Fort Prince of Wales. When asked of his recreational activities and favorite pastimes, Leechman replied "writing". His years teaching journalism at Carlton and his extensive bibliography of about five hundred titles, attest to his leisure time pursuits. Leechman's co-authorship of the Dictionary of Canadianisms (1967), his activities, since 1968, as a Canadian consultant for the Oxford English Dictionary and his compilation of an extensive glossary of fur trade terms, found within this body of papers, are further testimony to his recreational pursuits and lexicographical interests. Dr. Leechman, a Fellow of the Royal Society of Canada, died in Victoria in 1980. The bulk of the records consist of Leechman's theses dealing with native peoples and literature, his personal correspondence files (1925-1978) and typescripts of material submitted for publication including articles, books, radio scripts, and reviews. The records also include an extensive unpublished glossary of fur trade terms, the "Dictionary of Canadian English" which never appeared in print as a unit but became part of the Dictionary of Canadianisms; glossary notes for the Oxford English Dictionary and journalism lecture notes. Historical subject files which include material relating to Fort Langley, domestic files, diplomas, certificates, and some of his wife Ruth's general correspondence and committee files have been preserved. The records also contain some archaeological field notes relating to Leechman's study of the Cape Dorset Inuit culture as well as his field notes of archaeological sites in B.C. and the Yukon. Artwork comprising 157 pieces was removed from the fonds in 1987 and moved to the PDP collection under the PDP number 06180. In 2023 they were intellectually moved back to the fonds and added to this description. The artworks consist of drawings of Indigenous tools, botanical subjects and Indigenous peoples; many of which were used for the books, 'Edible Wild Plants' and Native Tribes of Canada'. Some of the artworks were done by artist Ted Noram. The BC Archives library has catalogued some of Leechman's publications.