[Landscape With Split Rail Fence - Goes With Adjacent Page Pdp 7376]
- PDP07375
- Item
- [1906]
Part of Crease family fonds
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[Landscape With Split Rail Fence - Goes With Adjacent Page Pdp 7376]
Part of Crease family fonds
Undated rough sketch, no caption; see also PDP09301.
Part of Len Norris fonds
[Brief Beginning Of Landscape Sketch - May Be Part Of Pdp 6356]
Part of Crease family fonds
Undated rough sketch, no caption; see also PDP09324
Part of Len Norris fonds
Corfu Harbour Continued [Goes With Adjacent Page Pdp 6344]
Part of Crease family fonds
Corfu Harbour Continued [Goes With Adjacent Page Pdp 6345]
Part of Crease family fonds
Undated rough sketch, no caption; see also PDP09420
Part of Len Norris fonds
Undated rough sketch, no caption; see also PDP09465
Part of Len Norris fonds
Undated rough sketch, no caption; see also PDP09409
Part of Len Norris fonds
File consists of one sketchbook belonging to Joan Clark. The sketchbook contains 32 artworks in a variety of mediums (graphite and ink sketches, watercolour paintings) presumably created by Joan Clark, although her signature does not appear on the works. Some of the artworks are titled or otherwise identified. Also included within the sketchbook is one sketch in graphite by Max Maynard (PDP03219) which is signed M. Maynard and dated January 9, 1940. The Maynard sketch is the only item within the sketchbook described at the item level.
[Victoria water barrel] and [Canoe and Mt. Baker]
Item consists of one piece of paper with two separate artworks on recto and verso. One side features a pencil sketch of a man pulling a water barrel in Victoria and the other side is a watercolour of people in a canoe with Mt. Baker in the background. Both pieces have been assigned the same PDP number. The artist(s) is unknown.
The Town of Douglas, and Douglas Lake
This illustration by W. S. Hatton was first published in the series, "Sketches in British Columbia," in the Illustrated London News on 17 Dec 1864 (PDP02121, PDP02122, PDP03326, PDP05253, PDP05254).
The Town of Douglas, and Douglas Lake
This illustration by W. S. Hatton was first published in the series, "Sketches in British Columbia," in the Illustrated London News on 17 Dec 1864 (PDP02121, PDP02122, PDP03326, PDP05253, PDP05254).
This print is part of a set of six art prints (PDP02748-PDP02753) published by Austin Marshall Limited in a series they titled, "Children of the Sun." Each print depicts an original artwork by Mildred Valley Thornton and is accompanied by a description written by Thornton.
The item consists of one watercolour painting by Gwladys Woodward (also spelled Gladys) . The title of the painting is not known but depicts a churchyard. Another painting (PDP10269b) is on the reverse. The painting is not signed.
Woodward, Gladys
This painting depicts the laying of railroad track with trains and Vancouver's skyline in the background. The artwork is one of three paintings (PDP02285, PDP02286, PDP05612) created by the commercial artists cooperative, Western Canadian Brotherhood, that replicate three of twelve murals created for the 1939 Golden Gate Exposition in San Francisco. The Ministry of Trade and Industry commissioned the murals and the three reproductions. Created in the style of Mexican mural artists and US Works Progress Administration artists, the murals depict the industries of 1930s British Columbia. Artist E.J. Hughes, Paul Goranson, and Orville Fisher designed the paintings together to ensure consistency; Fisher was the lead artist for this painting.
This painting depicts a shallow interior tunnel, four miners, and the strata of the pit mine in the background. This painting depicts a shallow interior tunnel, four miners, and the strata of the pit mine in the background. The artwork is one of three paintings (PDP02285, PDP02286, PDP05612) created by the commercial artists cooperative, Western Canadian Brotherhood, that replicate three of twelve murals created for the 1939 Golden Gate Exposition in San Francisco. The Ministry of Trade and Industry commissioned the murals and the three reproductions. Created in the style of Mexican mural artists and US Works Progress Administration artists, the murals depict the industries of 1930s British Columbia. Artist E.J. Hughes, Paul Goranson, and Orville Fisher designed the paintings together to ensure consistency. This painting was designed by Goranson and painted by Hughes.
The Fort Street Arch, Looking East
This is one of six illustrations (PDP01874-PDP01879) published in the Canadian Illustrated News on 16 September 1876. They are based on photographs by Stephen Allen Spencer and Noah Shakespeare.
Harrison Lake, with the Cascade Mountains in the Distance
This illustration by W. S. Hatton was first published in the series, "Sketches in British Columbia," in the Illustrated London News on 17 Dec 1864 (PDP02121, PDP02122, PDP03326, PDP05253, PDP05254).
Mining Tunnel, Williams Creek, Cariboo, British Columbia
This is one of four illustrations about "the San Juan Boundary Question," published in the illustrated newspaper, The Graphic. All four illustrations (PDP03309-PDP03312) are printed on the same page. The article about the illustrations is included on page 455. While the reference number refers to only one illustration, the entire newspaper has been retained.
Boundary Line Between British Columbia And The United States
This is one of four illustrations about "the San Juan Boundary Question," published in the illustrated newspaper, The Graphic. All four illustrations (PDP03309-PDP03312) are printed on the same page. The article about the illustrations is included on page 455. While the reference number refers to only one illustration, the entire newspaper has been retained.
A Reach on the Lower Kootenay River
This illustration was first published in the series, "Sketches in British Columbia," in the Illustrated London News on 5 March 1887 (PDP03328-PDP03330).
This print is part of a set of six art prints (PDP02748-PDP02753) published by Austin Marshall Limited in a series they titled, "Children of the Sun." Each print depicts an original artwork by Mildred Valley Thornton and is accompanied by a description written by Thornton.
Blackfeet Women Erecting the Holy Women's House
This print is part of a set of six art prints (PDP02748-PDP02753) published by Austin Marshall Limited in a series they titled, "Children of the Sun." Each print depicts an original artwork by Mildred Valley Thornton and is accompanied by a description written by Thornton.
This print is part of a set of six art prints (PDP02748-PDP02753) published by Austin Marshall Limited in a series they titled, "Children of the Sun." Each print depicts an original artwork by Mildred Valley Thornton and is accompanied by a description written by Thornton.
File consists of one hardcover sketchbook containing 65 artworks (primarily graphite sketches and one painting) by Max Singleton Maynard. The sketches have been described at the item level and each sketch has been assigned a unique PDP number. In addition to these, there are also sketches on the inside of the front and back covers. The sketch on the inside of the front cover is attached at the file description for the sketchbook. A page has been ripped out between PDP04317 and PDP04318; this page contains partial sketches on the recto and verso. A page has been ripped out between PDP04365 and PDP 04366 but contains no sketches.
The item consists of one watercolour painting by Gwladys Woodward (also spelled Gladys) . The title of the painting is not known but depicts a group of trees. Another painting (PDP10269a) is on the reverse. The painting is not signed.
Woodward, Gladys
The Wedding of a Chief's Daughter
This print is part of a set of six art prints (PDP02748-PDP02753) published by Austin Marshall Limited in a series they titled, "Children of the Sun." Each print depicts an original artwork by Mildred Valley Thornton and is accompanied by a description written by Thornton.
This painting depicts men moving luggage with ships and the Vancouver skyline in the background. The artwork is one of three paintings (PDP02285, PDP02286, PDP05612) created by the commercial artists cooperative, Western Canadian Brotherhood, that replicate three of twelve murals created for the 1939 Golden Gate Exposition in San Francisco. The Ministry of Trade and Industry commissioned the murals and the three reproductions. Created in the style of Mexican mural artists and US Works Progress Administration artists, the murals depict the industries of 1930s British Columbia. Artist E.J. Hughes, Paul Goranson, and Orville Fisher designed the paintings together to ensure consistency; Goranson was the lead artist for this artwork.
Indian Chief's Grave Near Lytton, British Columbia.
This is one of four illustrations about "the San Juan Boundary Question," published in the illustrated newspaper, The Graphic. All four illustrations (PDP03309-PDP03312) are printed on the same page. The article about the illustrations is included on page 455. While the reference number refers to only one illustration, the entire newspaper has been retained.