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The fonds comprises videotape copies of eight promotional, documentary or general-interest films produced for the Aluminum Company of Canada (or its successor, Alcan Canada Products) in the years 1951-1979. They depict the history, development and operations of the Kitimat project, including the Kenney Dam, the Kemano power plant, power transmission lines, Kitimat smelter, and the town and port of Kitimat. Four of these titles were made by Lew Parry Film Productions; two were produced by Crawley Films Ltd.

Out-takes. ASSIGNMENT SAFETY was a four-part (70-minute) safety film for the lumber industry. In the film, Ned Dearborn, president of the National Safety Council (USA), examined the safety program endorsed by the BC Lumber Manufacturers Association. I: mill safety from the pond to the green chain. II: safe work practices in the sawmill. III: various types of guards and devices used in shops and sawmills. IV: emphasizes good safety programming.

Industrial film. Mining crews drill and blast a 10-mile-long tunnel through Mount DuBose to carry water from the Kenney Dam to drive the generators at Kemano power plant for Alcan's Kitimat project. Ingersoll-Rand tunnelling equipment is featured.

The item consists of film out-takes of the British Empire Commonwealth Games of 1954. Based on footage shot by amateurs at Empire Stadium and UBC, the outs include shots of ceremonies, cycling, diving, swimming, the mile run and the marathon, including the collapse of Jim Peters.

Out-takes. Three short promotional spots for Buckerfield's Uplands Special Fertilizer. These outs depict homeowners enjoying their lawns, flowers and vegetable gardens; some home and store interiors.

Out-takes. Promotional film for sawmill equipment. The outs show Can-Car equipment (a barker and a gang saw) in operation inside a mill.

Out-takes. An overview of the training and career opportunities in mining and related industries. Shows mining students at UBC and BCIT, plus various mining, smelting and research facilities throughout BC.

Industrial film. An overview of the mining industry of British Columbia and the Yukon. Sequences include: prospecting; claim staking; the use of helicopters; core sampling; construction of mine access roads; planning the mining of an ore body; lead-zinc mining operations in the Sullivan Mine; processing of ore by crushers, ball mills and flotation cells; residential scenes in mining towns (Fraser Lake, Pine Point, Ashcroft); Cominco smelter at Trail; contribution to steel industry (pig iron and coke); training of mining technicians at BCIT; role of the BC & Yukon Chamber of Mines, including its Prospectors' Mining School; Vancouver and Port Moody dockside scenes showing concentrates, coal and ingots being loaded.

Industrial film. The company's mining operations in Chile, especially the heap leaching process used to concentrate copper from ore. Scenes of mine sites and facilities, as well as the city of Santiago.

Out-takes. Illustrates Vancouver's downtown parking problems. The outs here accessioned, found in a can labelled "Roy's Traffic," are on 1953 stock and are thought to be from the film DOWNTOWN PARKING. The roll includes many excellent shots of dense traffic (including streetcars and buses) on downtown streets, and on the Burrard Street and Cambie Street bridges.

Footage. 28 November 1968: In Vancouver harbour, large logs are loaded onto the "Ho-O Maru" for shipment to Osaka, Japan, where they will be used in the construction of the BC Pavilion.

Industrial film. Natural gas as an energy resource for BC. Shows uses of and demand for natural gas; natural gas exploration and drilling in the Peace River area; planning and construction of pipelines to carry gas from the Peace area to Vancouver and the USA.

Out-takes. Natural gas as an energy resource for BC. Shows the uses of and demand for natural gas; gas exploration in the Peace River area; planning and construction of pipelines to carry gas to Vancouver and the USA.

Industrial film. The growth and development of Giant Mascot Mines Ltd. -- especially the Giant Mascot Mine near Hope, which re-opened in 1971 after a serious fire. Includes mine and concentrator operations, lab tests, planning of future work, etc. Also shows the company's geological survey and test drilling operations in the area and in the Northwest Territories. Vancouver scenes include shots inside the Vancouver Stock Exchange.

Out-takes. The growth and development of Giant Mascot Mines Ltd. -- especially the Giant Mascot Mine near Hope, which re-opened in 1971 after a serious fire. Includes mine and concentrator operations, lab tests, planning of future work, etc. Also shows the company's geological survey and test drilling operations in the area and in the Northwest Territories. Vancouver scenes include shots inside the Vancouver Stock Exchange.

Industrial film. Mining operations at Phoenix, Jedway and Granisle.

Out-takes. Mining operations at Phoenix, Jedway and Granisle.

Industrial film. Shows month-by-month construction of Granisle mine and early operations, March to December 1966.

Out-takes. Plant operations at the J.R. Murray plant in Vancouver, on the north arm of the Fraser River. Includes shots of the various stages of plywood manufacture and the making of doors.

Travelogue. Surveys mineral hot springs at resorts in the Canadian Rockies, including Radium Hot Springs, Miette Pool, Upper Hot Springs and the pools at Banff.

The fonds consists of records generated by Lew M. Parry between about 1930 and 1987 in the course of his activities as a film maker based in Vancouver, including records generated by the companies Trans-Canada Films Ltd., Lew Parry Film Productions and Parry Films Ltd. The fonds also includes records generated by Lew Parry through his activities as art director and set designer for the Vancouver Little Theatre Association in Vancouver from about 1933 until about 1947. Also included are a few personal records such as photographs of Parry's home, family and friends. The fonds consists of Parry's films and library footage, comprising industrial films of bridge, power plant and dam construction, and of the mining, logging and fishing industries, as well as documentaries, travelogues, promotional films, newsreels, educational and training films, dramatic short films, docudramas, theatrical trailers and television programs and commercials. The fonds also includes photographs of Parry's activities making promotional films, and making industrial films of the mining industry and of bridge, dam and power plant construction projects. There are also photographs of the filming of the pilot television program North of 53 and of The Littlest Hobo program; of film studios, film sets, and recording studios; photographs of actors (including actors from Paramount Studios) and a few personal photographs of Parry's home, family and friends. In addition the fonds includes a scrapbook containing Vancouver Little Theatre Association programs (1933-1947), correspondence, notes, newspaper clippings, black and white photographs, including some of the Vancouver Diamond Jubilee parade, graphite sketches and colour drawings of set designs, art sketches (including possibly a storyboard for a “screen ad” for Roger's Sugar), invitations and an invoice. The fonds also includes four award certificates (1957, 1986-1987).

CALL NUMBER: T4215:0004 RECORDED: West Vancouver (B.C.), 1985-08-14 SUMMARY: TRACK 1: Experiences as new production manager for Vancouver Motion Pictures (VMP), shooting "River of Paper" on the Queen Charlotte Islands. How Parry was hired away from Neon Products Ltd. By VMP pr;esident Leon Shelly. Films "Limbs to Order" and "Road to Recovery" written and directed at VMP by Parry for the Dept. of Veteran's Affairs; NFB involvement. Another film on disabled veterans ["Valiant; Company"], made by Shelly before Parry joined. Parry's own company made "The Third Freedom", on rehabilitation of veterans. Shelly's problems with Powell River Company. Another film on disabled vets.; Assets of Jack Bowdery's North American Film Productions purchased by Lew Parry Film Productions. Parry's friend Ralph Humble, a sound recordist/technician. Attempt to promote creation of Victoria fi;lm studio. TRACK 2: Bob Reid ran small film lab on Burrard. Wally Hamilton designed optical recording system. Other VMP staffers: Helen Semmens, Maureen Balfe, Shirley Wilson. Shelly shot newsreel ma;terial for Fox and the NFB; also a war-bond trailer for Fox with Bing Crosby. Changing camera work styles and standards. Parry and Homer Powell designed sound recording system. Evolution of Telesound ;Film Recordings, a Parry subsidiary. Sound mixing and recording for film. Did sound work for BC government films. Parry shot footage of Grouse Mountain to promote chair lift idea. Start of questions r;e specific films on Parry's list of productions: Argentine Shipment; A Crown P; Lajoie Project; Ruskin Project; Rehabilitation Inc.; Downtown Parking; Eyes West.; CALL NUMBER: T4215:0005 RECORDED: West Vancouver (B.C.), 1985-08-14 SUMMARY: TRACK 1: Continues discussion of specific films: Franklin River footage for MacMillan Bloedel; Futures In Oil; It Just Makes Good Sense; No Barriers; New Granville Bridge. Production of TV pilot "Nort;h of '53", set in the Cariboo; attempts to sell the series. Loss of material at Parry's old studio after dissolution of jack McCallum's Capilano Motion Picture Centre. More films: Plywood Story; Sal t;he Dream Gal; The Prime Ingredient. Films for Canadian Ingersoll-Rand: Sherbrooke Story; Breakthrough, on the Kemano tunnel, one of Parry's best films. TRACK 2: More films: Sidehill Logging; Soletanc;he; Structural Aluminum; Tidewater Freeway; Dorothy's Dream House; Trend House Tour (aka "Wood Frame Construction"); Turn of a Valve; Who Cares For carol Anne; Yesterday, Today and Tomorrow. Questions; re Parry collection at PABC; Sunshine to Sugar; [McCallum/footage on retardation]; [N.U.L.]; [Roy's Traffic]; [St. Roch]; [Presto Logs]. (End of interview);

CALL NUMBER: T3855:0001 SUPPLIED TITLE OF TAPE(S): Lew Parry interview RECORDED: West Vancouver (B.C.), 1981-06-11 SUMMARY: TRACK 1: Mr. Parry discusses the Bridge River project films: getting to location, camera equipment, film stock. Public relations film "Dinner for Miss Creeden". Discusses Eric Lazenby: physical appearance, working relationship. Discusses how the Bridge River films were edited and packaged. TRACK 2: Mr. Parry discusses colour correction; his favourite film for B.C. Electric ("Dinner for Miss Creeden"); awards for his best films from local organizations; Ripple Rock project; role of Pat Hunter; getting the blast sounds from Ripple Rock; anecdote about Goat Island.

CALL NUMBER: T3855:0002 SUPPLIED TITLE OF TAPE(S): Lew Parry interview RECORDED: West Vancouver (B.C.), 1981-06-11 SUMMARY: TRACK 1: Parry's role in getting "The Littlest Hobo" off the ground: using local talent instead of Hollywood bigwigs. Anecdotes about filming "The Littlest Hobo": in snowy weather, with certain Hollywood actors, at a suspension bridge, the 'Hobo' himself (a dog named London). TRACK 2: Parry discusses: actors involved in "The Littlest Hobo", Edgar Bergen, Rosemary De Camp; problematic shooting locations, Seymour suspension bridge, Squamish. Parry pleased to have been involved with "Littlest Hobo"; good opportunity for himself and local crew. Problems dealing with unions. Difficulties with scripts for "Littlest Hobo'. Involvement in B.C. Film Industry Association: motivation was from Canadian Film Development Corporation; wanted to take a business approach to the association; growing pains of both CFDC and the B.C. Film Industry Association.

ALL NUMBER: T3855:0003 SUPPLIED TITLE OF TAPE(S): Lew Parry interview RECORDED: West Vancouver (B.C.), 1981-06-11 SUMMARY: TRACK 1: Discusses Trans-Canada Films: anecdotes about staff members, Scotty Young, cameraman; Bill Dix, director; Mrs. Pond, accountant; Lew Weeks, animation work; Art Hundert, cameraman; Jack McCallum, cameraman; Connie Joy, accountant-secretary; Bob Reid, cameraman. TRACK 2: More staff members at Trans-Canada Films: Bob Reid (cont'd); Homer Powell, editor; Dave Pomeroy, sound editor and recording man; Shelah Reljic, editor and actress; Norma "Bim" Jackson, editor; Harry Hooper, cameraman who left to go to CBC; Roy Luckow, cameraman; Spence Crilly; Lloyd Stump, operator; Werner Franz, sound department. Discusses his studio on Capilano Road.

CALL NUMBER: T3855:0004 SUPPLIED TITLE OF TAPE(S): Lew Parry interview RECORDED: West Vancouver (B.C.), 1981-06-11 SUMMARY: TRACK 1: Discusses: Margie Roozeboom taking over art department; Bill Roozeboom as cameraman; Lloyd Stump as businessman; Roozeboom's leaving to form own film company. Jack McCallum and Col. Aikins bought studio and rights to "North of 53". Wally Hamilton as a pioneering technician. Oscar Burritt as a director. Hollywood getting good Canadian talent to come down to the U.S. Parry's company never made any money with TV spots. Starting Panorama Studios. Anecdotes about dangerous and exciting camerawork to do with his films. Kitimat mountain range shoot. TRACK 2: More on blast at Kitimat. Location shoots sometimes very lonely. None of his cameramen or directors ever sustained serious injury while on location. (End of interview)

CALL NUMBER: T3844:0001 SUPPLIED TITLE OF TAPE(S): Motion picture industry in British Columbia (part 1) PERIOD COVERED: 1910-1948 RECORDED: West Vancouver (B.C.), 1981-05-14 SUMMARY: TRACK 1: Family background: Lethbridge, Alberta and Nelson, B.C. Father was movie theatre projectionist. Move to Revelstoke; life there, 1910-1917. Movie viewing as a child in Revelstoke. Move to Vanc;ouver, 1917. Interest in filmmaking began with working at Woodward's as window artist. Voice lessons. Attended Vancouver School of Art at night. Singing lessons. Tap dancing lessons from Dave Denton of the Dumbbells. Vaudeville act. Sheet-metal training with Daily; Vancouver Technical School attendance. Work at Neon Products as artist and art director. Visit to Hollywood, ca. 1930. Leon Shelly, salesman for Neon Products, bought Motion Skreenadz/Vancouver Motion Pictures. Shelly produced two travelogues for B.C. government. Cinecolor process brought from Hollywood by Shelly. Colour correction by Parry on film set. Parry's work on Skreenadz trailers. TRACK 2: Vancouver Little Theatre experience. WWII experiences with Neon Products. Use of film to train workers. Goes to work for Leon Shelly, 1944; production manager. Shelly moves to Toronto; Parry remains in Vancouver. Marriage, 1936. Starts own film company; Trans-Canada Films, 1945. Shareholders of Trans-Canada Films; total financing did not materialize. Only two films produced, at a loss, for Dept. of Veteran Affairs. Steffens-Colmer, Don Coltman, Wally Hamilton buy Trans-Canada Films. Parry continued in films. B.C. Electric film; productions; Bridge River hydroelectric project filmed, 1948. Parry contracted to film all construction projects for B.C. Electric. Filming Kitimat development for Alcan; use of film to get government franchise for Alcan. Trans-Canada Film sold about 1946; Wally Hamilton turned company into sound service and film laboratory. TCF employees under Parry's ownership: Scotty Young, chief cameraman; Bill Dix, trainee director; Mrs. Pond, accountant; Lew Weeks, animator/cameraman. Discusses Marguerite Roozeboom's animation/art work and Bill Roozeboom's camera work. Meeting Marguerite Roozeboom. CALL NUMBER: T3844:0002 SUPPLIED TITLE OF TAPE(S): Motion picture industry in British Columbia (part 2) PERIOD COVERED: 1944-1958 RECORDED: West Vancouver (B.C.), 1981-05-14 SUMMARY: TRACK 1: Further discusses Marguerite Roozeboom story: meeting her at Shelly Films four years later where she was lettering titles. Leon Shelly's background and career. Other salesmen at Neon Products. Shelly's purchase of Harry Rosenbaum's Vancouver Motion Pictures. Parry's brother, Melfyn; work as cameraman for Shelly. Melfyn's career as still photographer. Transition from Trans-Canada Films to Lew Parry Film Productions. Art Hundert and Jack McCallum, cameramen. Connie (Constance) Joy, secretary-accountant. Move to Broadway studio. Bob Reid. Roy Luckow. Harry Hooper (English cameraman). Homer Powell, editor from Hollywood. Spence Crilly, Powell's brother-in-law, became director. Financial aspects. Introduction of TV and effect upon filmmaking: personnel losses to TV. Dave Pomeroy joins Parry as sound man. Bill Roozeboom joins as cameraman. Werner Franz joins as editor, ca. 1954. Studio constructed on Capilano Road, North Vancouver. Panorama Studios built in West Vancouver. "North of 53" TV company formed to produce pilot. Canadian Film Development Corporation idea promoted and conceived by Parry. "Marine Investigator" series proposed. Promotional activities for TV series; financial difficulties and deals. TRACK 2: Continues attempt to sell TV series. Development of "North of 53" using suspense as major plot element. Most successful films. Three hundred and eleven films on order when Parry Films went bankrupt. Industrial film components. Ricky Hyslop. "Challenge in the Rocks" for Mining Association. "Prelude to Kitimat" for Alcan. "No Barriers" for Trans-Canada Airlines. Use of the National Film Board as distributor. Least successful film "Twenty Great Years" (1972) for Social Credit Party. Discusses controversy around this film. Relationship with provincial government on filmmaking. "The Tall Country" (1958), produced for B.C. Centennial Committee. Discusses changes in film industry. Attributes of "the perfect producer". (End of interview)

Out-takes. A log drive on the Stellako River and its effect on the river and its fish population. Includes underwater photography.

Nature. A log drive on the Stellako River and its effect on the river and its fish population. Includes underwater photography.

Footage. Two rolls of aerial views, presumably culled from various outs for use as stock footage. The first roll, compiled from stock dated 1957 and 1960, shows Second Narrows, False Creek, Stanley Park, Fraser Valley and the Coast mountains, with some overall shots of Vancouver. The second roll, on stock dated 1954 and 1955, consists of low-level aerial views of downtown Vancouver, Burrard Inlet and a logging camp (?); "tilt-ups" from the CPR docks to the North Shore mountains; and some high-level aerial views of the city, one of which is on 1947 stock.

Out-takes. "Current and projected activities in the field of pollution control and land reclamation . . . a factual presentation of the mining industry's concern for the environment and the methods it adopts to prevent pollution and to reclaim mining areas." Shot at mine sites throughout B.C. These outs include operations of Bethlehem Copper, Brenda Mines, Endako Mines, Giant Mascot, Kaiser, and Lornex, at such locations as Brenda, Granisle, Highland Valley, Ioco, LeRoi mine, Phoenix, Trail, etc.

Footage. A selection of miscellaneous footage from various films produced by Parry for the Mining Association and some of its member companies. Includes footage of Boyles Brothers (manufacture of diamond drills); BC Research labs; Cominco labs and smelter; geological surveys; "Kimberley smelter" (?); Nickel Plate mine at Hedley (abandoned buildings); oil refineries and tank farms; Phoenix mine; Pine Point; Similkameen Mining Company operations; Sullivan Mine; Trail; various unidentified mills and mine operations; Western Canada Rolling Mines (steel mill); Western Mines (construction of mill and other facilities).

Out-takes. The construction of the RCAF supply depot at Namao air force base, Edmonton, Alberta. These out-takes include representative shots of building construction.