Corfu Harbour Continued [Goes With Adjacent Page Pdp 6344]
- PDP06374
- Item
- [1847]
Part of Crease family fonds
Corfu Harbour Continued [Goes With Adjacent Page Pdp 6344]
Part of Crease family fonds
Corfu Harbour Continued [Goes With Adjacent Page Pdp 6345]
Part of Crease family fonds
Undated rough sketch, no caption; see also PDP09324
Part of Len Norris fonds
[Landscape With Split Rail Fence - Goes With Adjacent Page Pdp 7376]
Part of Crease family fonds
[Brief Beginning Of Landscape Sketch - May Be Part Of Pdp 6356]
Part of Crease family fonds
Undated rough sketch, no caption; see also PDP09301.
Part of Len Norris fonds
[Portrait of Elizabeth (Fisher) Pooley]
Item consists of one framed pastel portrait of Elizabeth Wilhelmina (Fisher) Pooley (1849-1932), painted in 1913 by Michael Isaac Cohen.
The painting is a companion to PDP10250, a similar portrait of her husband, Charles Edward Pooley.
[Portrait of Charles Edward Pooley]
Item consists of one framed pastel portrait of Charles Edward Pooley (1845-1912), a miner, lawyer, and MLA in British Columbia. The artist of the portrait is Isaac Michael Cohen.
This painting is a companion piece to PDP10251, a similar portrait of Pooley's wife, Elizabeth (Fisher) Pooley.
[Victoria water barrel] and [Canoe and Mt. Baker]
Item consists of one piece of paper with two separate artworks on recto and verso. One side features a pencil sketch of a man pulling a water barrel in Victoria and the other side is a watercolour of people in a canoe with Mt. Baker in the background. Both pieces have been assigned the same PDP number. The artist(s) is unknown.
Part of Emily Carr art collection
One sketchbook with 30 drawings by Emily Carr. The drawings are of First Nations designs and landscapes including Alert Bay dating from 1930 to 1939. The drawings are copied from illustrations in Franz Boas, Primitive Art, published in Oslo, Norway, 1927. Carr copied them as a means of familiarizing herself with the forms and artistic conventions of First Nations monumental art of the Northwest Coast of British Columbia. Information matching each sketch to a page in Primitive Art was provided by Carr scholar Dr Gerta Moray and is filed in the documentation file for PDP05647.
Part of Emily Carr art collection
This item was originally bound as one page in sketchbook PDP08918 which includes
PDP08919 through PDP08962.
Part of Emily Carr art collection
This item was originally bound as one page in sketchbook PDP05755 which includes PDP05756 to PDP05809.
This painting depicts men moving luggage with ships and the Vancouver skyline in the background. The artwork is one of three paintings (PDP02285, PDP02286, PDP05612) created by the commercial artists cooperative, Western Canadian Brotherhood, that replicate three of twelve murals created for the 1939 Golden Gate Exposition in San Francisco. The Ministry of Trade and Industry commissioned the murals and the three reproductions. Created in the style of Mexican mural artists and US Works Progress Administration artists, the murals depict the industries of 1930s British Columbia. Artist E.J. Hughes, Paul Goranson, and Orville Fisher designed the paintings together to ensure consistency; Goranson was the lead artist for this artwork.
Indian Chief's Grave Near Lytton, British Columbia.
This is one of four illustrations about "the San Juan Boundary Question," published in the illustrated newspaper, The Graphic. All four illustrations (PDP03309-PDP03312) are printed on the same page. The article about the illustrations is included on page 455. While the reference number refers to only one illustration, the entire newspaper has been retained.
British Camp, Island Of San Juan.
This is one of four illustrations about "the San Juan Boundary Question," published in the illustrated newspaper, The Graphic. All four illustrations (PDP03309-PDP03312) are printed on the same page. The article about the illustrations is included on page 455. While the reference number refers to only one illustration, the entire newspaper has been retained.
This illustration by W. S. Hatton was first published in the series, "Sketches in British Columbia," in the Illustrated London News on 17 Dec 1864 (PDP02121, PDP02122, PDP03326, PDP05253, PDP05254).
This illustration was first published in the series, "Sketches in British Columbia," in the Illustrated London News on 5 March 1887 (PDP03328-PDP03330).
The Kootenay Valleys: a Famous Old Camping Place, Now the Side of Kootenay City
This illustration was first published in the series, "Sketches in British Columbia," in the Illustrated London News on 5 March 1887 (PDP03328-PDP03330).
The item consists of one watercolour painting by Gwladys Woodward (also spelled Gladys) . The title of the painting is not known but depicts a group of trees. Another painting (PDP10269a) is on the reverse. The painting is not signed.
Woodward, Gladys
The Wedding of a Chief's Daughter
This print is part of a set of six art prints (PDP02748-PDP02753) published by Austin Marshall Limited in a series they titled, "Children of the Sun." Each print depicts an original artwork by Mildred Valley Thornton and is accompanied by a description written by Thornton.
This illustration by W. S. Hatton was first published in the series, "Sketches in British Columbia," in the Illustrated London News on 17 Dec 1864 (PDP02121, PDP02122, PDP03326, PDP05253, PDP05254).
The White Sow of Tregenna Woods, St. Ives [panel 1]
Part of Emily Carr art collection
Item consists of one watercolour painting affixed to the first panel of a three-panel booklet (PDP10254). The painting depicts two people and a sow huddled under a shelter during a downpour, and corresponds to the text of the adjacent poem (PDP10256).
The item consists of one watercolour painting by Gwladys Woodward (also spelled Gladys) . The title of the painting is not known but depicts a churchyard. Another painting (PDP10269b) is on the reverse. The painting is not signed.
Woodward, Gladys
This print is part of a set of six art prints (PDP02748-PDP02753) published by Austin Marshall Limited in a series they titled, "Children of the Sun." Each print depicts an original artwork by Mildred Valley Thornton and is accompanied by a description written by Thornton.
The Town of Douglas, and Douglas Lake
This illustration by W. S. Hatton was first published in the series, "Sketches in British Columbia," in the Illustrated London News on 17 Dec 1864 (PDP02121, PDP02122, PDP03326, PDP05253, PDP05254).
The Town of Douglas, and Douglas Lake
This illustration by W. S. Hatton was first published in the series, "Sketches in British Columbia," in the Illustrated London News on 17 Dec 1864 (PDP02121, PDP02122, PDP03326, PDP05253, PDP05254).
[Engraving of British botanist, Dr. John Lindley, father of Sarah Crease]
Part of Crease family fonds
Item consists of one portrait (engraving) of Dr. John Lindley, British botanist and father of Sarah Crease (Lindley). The portrait was inspired by a similar portrait of Lindley by Charles Fox (PDP00045). A postcard of an older Dr. John Lindley was found when the portrait was removed from its frame and is kept in the PDP file.
Crease, Sarah (Lindley)
The White Sow of Tregenna Woods, St. Ives
Part of Emily Carr art collection
Item consists of a three-panel folded booklet with two watercolours and a poem (in two pieces) by Emily Carr, dating from ca. 1902. The booklet describes an adventure she had while sketching in Tregenna Wood at St Ives, Cornwall, England and the images include self portraits. Each aspect of this artwork has been described separately, see: PDP10255; PDP10256; and PDP10257.
This print is part of a set of six art prints (PDP02748-PDP02753) published by Austin Marshall Limited in a series they titled, "Children of the Sun." Each print depicts an original artwork by Mildred Valley Thornton and is accompanied by a description written by Thornton.
Thornton, Mildred Valley (Stinson)
This print is part of a set of six art prints (PDP02748-PDP02753) published by Austin Marshall Limited in a series they titled, "Children of the Sun." Each print depicts an original artwork by Mildred Valley Thornton and is accompanied by a description written by Thornton.