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Item consists of one studio photograph of Hannah Maynard seated next to a young girl. Maynard holds a book or magazine on her lap and the girl stands next to a toy wagon. The studio backdrop depicts "Siwash Rock" in Vancouver.

Item consists of one studio portrait (bust) of Hannah Maynard.

Item consists of one tableau vivant work by Hannah Maynard, part of a series of tableau vivant works created in the 1890s. The composite work is composed of several photographs merged together to form a single work using the techniques of double or multiple exposures. The image features Hannah Maynard with grandson Maynard Macdonald, along with other portraits of Maynard family members in a domestic Victorian parlor scene.

Item consists of one tableau vivant work by Hannah Maynard, part of a series of tableau vivant works created in the 1890s. The composite work is composed of several photographs merged together to form a single work using the techniques of double or multiple exposures. The image features five Hannah Maynards.

Item consists of one tableau vivant work by Hannah Maynard, part of a series of tableau vivant works created in the 1890s. The composite work is composed of several photographs merged together to form a single work using the techniques of double or multiple exposures. The image features five Hannah Maynards, posed with a bouquet of flowers

Item consists of a stereo view photograph of Hannah Maynard and Maynard McDonald cycling in Beacon Hill Park

Item consists of one studio portrait (full-length) of Hannah and Richard Maynard posed with straw or hay and gardening tools. The studio attributed to Mrs. R. Maynard's Photographic Gallery, based on the studio flooring, studio accessories, and scenic backdrop.

Item consists of one tableau vivant work by Hannah Maynard, part of a series of tableau vivant works created in the 1890s. The composite work is composed of several photographs merged together to form a single work using the techniques of double or multiple exposures. The image features three Hannah Maynards gathered around a writing desk. One is reading a letter, another holds a fan, and another holds flowers. The studio flooring (rose pattern), screens, textiles, furniture, curtains and an artificial backdrop attributed to Mrs. R. Maynards Photographic Gallery are visible.

Item consists of a studio portrait photograph of A.H. Maynard, son of Hannah and Richard Maynard. The cabinet card has Mrs. R. Maynard's imprint.

Studio self-portrait attributed to Hannah Maynard. Maynard is standing next to a chair with her left side to the viewer, looking over her left shoulder with her elbow resting on the chair back.

Item consists of one photograph of Hannah Maynard and others on bicycles in Beacon Hill Park. The photograph is very similar to those under HP093154 and HP093155. The photograph is attributed to Richard Maynard.

Item consists of one tableau vivant work by Hannah Maynard, part of a series of tableau vivant works created in the 1890s. It is a gelatin dry glass plate negative. The composite work is composed of several photographs merged together to form a single work using the techniques of double or multiple exposures. The image features Hannah Maynard with grandson Maynard Macdonald, along with other portraits of Maynard family members in a domestic Victorian parlor scene. Grandson Maynard Macdonald (the bust of) also appears as a photo sculpture on a table and is the central focal point. The portraits of Hannah and husband Richard Maynard's deceased daughters (and daughter-in-law) are visible as studio portraits on the easel and floor in front of the photo sculpture and in the painting above. Jane is on the wall behind the 'statue.' The negative appears to have been manipulated. There are touch ups in [pencil] on the negative plate in the regions depicting the faces of Hannah Maynard, adding to the enhancement of the final image and reduction of wrinkles. Some studio flooring (rose pattern) attributed to Mrs. R. Maynards Photographic Gallery, as well as curtains, natural lighting, furniture, screen and back wall are visible. The visual information at the bottom edge of the photograph appears to be blocked or cut off.

Item consists of a photograph of Hannah and Richard Maynard at a party. The pair are seated on chairs in the centre, surrounded by thirteen other guests standing or seated on the floor. Most people are wearing paper party hats.

Item consists of one tableau vivant work by Hannah Maynard, part of a series of tableau vivant works created in the 1890s. The composite work is composed of several photographs merged together to form a single work using the techniques of double or multiple exposures. The image features three Hannah Maynards and three Maynard Macdonalds (her grandson) in several poses in a domestic Victorian parlor scene. The studio flooring (rose pattern), curtains, natural lighting and artificial backdrop attributed to Mrs. R. Maynards Photographic Gallery are visible. This negative does appear to have been manipulated. There are touch ups in [pencil] on the negative plate in the regions depicting the faces of Hannah Maynard and her grandson, adding to the enhancement of the final image and reduction of wrinkles on the faces of the sitters. The visual information at the bottom edge of the photograph appears to be blocked or cut off.

Item consists of one self-portrait using multiple exposures attributed to Hannah Maynard, part of a number of self-portraits created in the 1880s and 1890s. It is a gelatin dry glass plate negative. It features five Hannah Maynards posed at multiple angles facing side and forward against a black background. The composite work is composed of several photographs merged together to form a single work using the techniques of double or multiple exposures. Hannah Maynard is photographed from the waist up. There are touch ups in [pencil] on the negative plate in faces of Hannah Maynard, adding to the enhancement of the final image and reduction of facial wrinkles. The visual information at the bottom edge of the photograph appears to be blocked or cut off. The information on the side edges are missing.

Item consists of one tableau vivant work by Hannah Maynard, part of a series of tableau vivant works created in the 1890s. It is a gelatin dry glass plate negative. The composite work is composed of several photographs merged together to form a single work using the techniques of double or multiple exposures. The image features Hannah Maynard with three Hannah Maynards gathered around a writing desk, one writing in a domestic Victoria parlour scene. One Hannah Maynard holds a fan and another holds flowers. The studio flooring (rose pattern), screens, textiles, furniture, curtains and an artificial backdrop attributed to Mrs. R. Maynards Photographic Gallery are visible. Large side lighting panels are visible at one side of the photographic image. The negative appears to have been manipulated. There are touch ups in [pencil] on the negative plate in the regions depicting the faces of Hannah Maynard, adding to the enhancement of the final image and reduction of wrinkles. The visual information at the bottom edge of the photograph appears to be blocked or cut off.

item consists of one self-portrait using multiple exposures attributed to Hannah Maynard, part of a number of self-portraits created in the 1880s and 1890s. It is a gelatin dry glass plate negative. It features four Hannah Maynards holding bouquets or strings of flowers held at various heights and positions. Hannah is posed in various positions against a black background, both in side profile and directly facing the camera, photographed mid-length. There are studio curtains slightly visible in behind the photographic subjects. The composite work is composed of several photographs merged together to form a single work using the techniques of double or multiple exposures. There are touch ups in [pencil] on the negative plate in faces of Hannah Maynard, adding to the enhancement of the final image and reduction of facial wrinkles. The visual information at the bottom edge of the photograph appears to be blocked or cut off. The information at the top and bottom edge are missing.

Item consists of one tableau vivant work by Hannah Maynard, part of a series of tableau vivant works created in the 1890s. It is a gelatin dry glass plate negative. The composite work is composed of several photographs merged together to form a single work using the techniques of double or multiple exposures. The image features four Hannah Maynards in several poses (two having tea, one holding a skein of woven material and one taking it up into a ball) in a domestic Victorian parlor scene. A (deceased) Maynard family member is visible, as a studio portrait on the front of the cushion cover under the table. The negative appears to have been manipulated. There are touch ups in [pencil] on the negative plate in the regions depicting the faces of Hannah Maynard, adding to the enhancement of the final image and reduction of facial wrinkles. The studio flooring, curtains, natural lighting, screens, furniture, textiles and plain backdrop attributed to Mrs. R. Maynards Photographic Gallery are visible.

Item consists of one tableau vivant work by Hannah Maynard, part of a series of tableau vivant works created in the 1890s. The composite work is composed of several photographs merged together to form a single work using the techniques of double or multiple exposures. The image features three Hannah Maynards in several poses (two pouring tea) in a domestic Victorian parlor scene. The studio flooring (rose pattern), fur rug and artificial backdrop attributed to Mrs. R. Maynards Photographic Gallery are visible. This negative does not appear to have been manipulated. The visual information at the bottom edge of the photograph appears to be blocked or cut off.

This "Gem" from photographer Hannah Maynard’s “Gems of British Columbia" series appears to have been created for 1883. The work includes child and baby portraits taken in previous years and features the portrait of a child from the pioneering Spotts family. Located beside the left flag in the centre of the work, it is likely “Cecillia Spotts”.

Several of the Spotts family children were photographed by Victoria-based Hannah Maynard of Mrs. R. Maynard's Photographic Gallery, including “Cecillia Spotts” and “Percy Spotts.” The Alexander and likely Barnswell families, also appear to have been clients of the Maynard Studio and represent other pioneering Black families of Vancouver Island and British Columbia.

The image depicts a photograph of a multi-image montage photographic work attributed to Hannah Maynard, part of a number of montages created in the 1880s and 1890s. It is a gelatin dry glass plate negative (10 x 12 inches). The work is composed of many photographic prints physically placed and nailed together on a support to form a single work. Some of the photographic works included are those attributed to Richard Maynard and relate to his field photographs produced during several of his photographic trips taken throughout the course of his photographic career. Some of these are works likely produced during his documentation of the Canadian Pacific Railway construction in British Columbia and Alberta in the 1880s. There are also works likely produced during his photographic trips to Alaska and the Pribilof Islands (1892) between 1870s and 1890s. There are also views of colonial settlements represented here. Some of the prints featured here in other instances appear as prints and presented in photographic albums attributed to R. Maynard. However, the works presented in this image all appear to be marketed by Hannah Maynard. There is text included on some of the prints which states the following: Mrs. R. Maynard, Artist. This negative does not appear to have been manipulated. Two tongs and a chair are visible, holding the work up to be photographed in an unknown location.