The collection consists of sound recordings compiled by Jean B. Wilton while researching her book "May I Talk to John Howard?: The Story of J.D. Hobden, a Friend to Prisoners" (1973).
Wilton, Jean Birch, 1906-
The collection consists of sound recordings compiled by Jean B. Wilton while researching her book "May I Talk to John Howard?: The Story of J.D. Hobden, a Friend to Prisoners" (1973).
Wilton, Jean Birch, 1906-
Collection consists of paintings, drawings, prints and other artworks collected by the Archives.
British Columbia Archives
The collection consists primarily of copies or records collected by the archives, loaned to the archives or donated to the archives. These records encompass all aspects of the political, economic, social and cultural history of the province. They come from all over the world but have a BC connection. These copies come from other archives, universities, historical societies, institutes and individuals.
British Columbia Archives
Collection consists of the archives photograph collection.
British Columbia Archives
The collection consists of six letters by James Douglas to James Yale or Donald Manson, three agreements between the Hudson 's Bay Company and four employees, and a bill of lading for the Hudson's Bay Company ship Cadboro.
Douglas, James, Sir, 1803-1877
The collection consists of records created ca. 1849 to 1970 by the Dept. of Lands and Works and related departments, including pre-Confederation government bodies.
The collection consists of single items, reports, photocopies, photographs and other small collections donated and loaned to the BC Archives which document all aspects of the political, economic, social and cultural history of the province. They are private records produced by individuals, businesses and organizations and were acquired by the Archives over many years. They have come from all areas of the Province and vary widely in subject matter. They consist of account books and journals, letters and diaries of gold seekers, pioneers, missionaries, and school teachers, literary manuscripts, photographs, the papers of natural historians and students and the personal and family papers of notable settlers and residents of the province.
British Columbia Archives
The collection consists of a record of vessels entering the Port of Victoria, correspondence concerning the activities of the United Services Institution of Vancouver Island, also known as the Royal United Services Institute, a log book of the schooner "Louis Olsen", and records of seal catches in the Pacific. It also includes Roy's interviews with former BC Health and Welfare minister Eric Martin and Senator John Wallace de Beque Farris.
Roy, Reginald Herbert, 1922-2013
The collection consists of a number of private records created by the Maynard family, the selected business records of Mrs. R. Maynard's Photographic Gallery and a portion of the professional records of well-known British Columbian photographers Hannah Hatherly Maynard (1834-1918) and Richard Maynard (1832-1907). To a lesser extent, a percentage of the professional records of their son Albert Hatherly Maynard (1854-1934) are included in the collection. Primary materials include family photograph albums, a measure of the photographic portfolio of Hannah and Richard Maynard consisting of photographic negatives and prints, as well as several view and sample albums. There is also a small number of textual business records, the bulk of which consists of a single studio register that represents over 5,000 customer entries of portrait orders fulfilled at several different locations of the Maynard Studio between 1891 to 1899.
The Maynard family collection consists of the following series and discreet items:
MS-3394: Photograph albums
MS-3361: Photograph album of Mrs. R. Maynard’s Photographic Gallery
MS-3373: Albert H. Maynard photographs of the Provincial Museum’s natural history collections
MS-3374: Indigenous studio portraits of Mrs. R. Maynard’s Photographic Gallery
MS-3328: Photographic View Album by R. Maynard, Artist
MS-3384: Studio portraits of Mrs. R. Maynard’s Photographic Gallery
MS-3378: Colonial administration field photographs of Richard Maynard (Department of Indian Affairs tours of inspection)
MS-3380: Experimental photographic works of Mrs. R. Maynard’s Photographic Gallery
MS-3403: Photograph albums and photographic prints, reproductions
MS-3325: Studio register of Mrs. R. Maynard's Photographic Gallery
The Maynard family, Mrs. R. Maynard's Photographic Gallery and photographers Hannah Hatherly H. Maynard, Richard Maynard and Albert H. Maynard were based in Victoria, British Columbia. Richard Maynard’s boot and shoe business was also based in the city.
Mrs. R. Maynard’s Photographic Gallery clientele included the "upper echelons of Victoria society" including the Cridge, Douglas, O'Reilly, Harris, McNeil and Crease families, as well as members of the colonial government such as Victoria mayor John Grant among many others. It also served the spectrum of the Victoria population including temporary visitors, Indigenous day labourers, as well as pioneering Anglo-European, African American (including the Alexander and Spotts families), Caribbean (Barnswell family) and Chinese individuals, families and communities. Representatives from Indigenous governments and communities on Vancouver Island and British Columbia including the Tsimshian Chief known as Arthur Wellington Clah, and others who came for their likenesses. In the early years the studio produced conventional portraits for early inhabitants of Fort Victoria (established by the Hudson’s Bay Company) such as gold miners and sailors. In later years, clientele were documented from across British Columbia, Vancouver Island, Salts Spring Island, Haida Gwaii, Vancouver and Lytton. Also during this period, patrons came from British warships that visited the Esquimalt naval base. Institutional clients included the Peabody Museum of Archaeology and Ethnology at Harvard in the United States.
Within this collection, the works of other photographers and photographic studios are represented in the Maynard portfolio. Notably, this includes photographic negatives by well-known early pioneer British Columbian photographers such as English photographer Frederick Dally (1838-1914) and Italian photographer Carlo (Charles) Gentile (1835-1893).
There are also card mounted photographic prints from a range of photographers and photographic studios from the Western United States, Eastern Canadian provinces and the United Kingdom. Within Ontario, the former residence of the Maynard family prior to their move to Victoria in the early 1860s, a small amount of works are represented from “R. & H. O’Hara Photographers, BookSellers, Insurance Agents & c.” of Bowmanville, Ontario.
In terms of photographic subjects and styles, the collection brings together the following: studio portraiture (family; infant, baby, child and youth; self-portraiture), landscape photography, tourist photography, colonial and government administration photographs, ethnographic and field photography, photography of transportation/railway construction (Canadian Pacific Railway), stereoscopic photography and documentary photography (including early natural history museum collections). Maynard produced ethnographic and field photography, of which one series (MS-3378) and one discreet item (MS-3378) has been included in this collection, is representative of a larger body of their well-known work and documentation of the life and lifeways of many First Nations and Indigenous communities primarily on Vancouver Island, around British Columbia and Alaska. There are a few examples of sun photography used in infant, baby, child and youth portraiture, as well as a reference to a work of Victorian era collage. A small number of works in the style of architectural photography are represented here, as are Maynard’s portfolio depicting naval or military themes. Hannah Maynard’s work in police photography is not represented in this collection.
Artistic works include experimental photographs attributed to Mrs. R. Maynard in her role as a photographic artist and consist of tableau vivants, photocollages, composite and montage works photo-sculptures and studio portraits using double and multiple exposure techniques. A small number of montage works marketed by Richard Maynard can also be found in this collection, as are references to studio portraits marketed by R. Maynard.
Print formats include mounted and unmounted prints and photograph albums. Mounted prints consist of cartes de visite, boudoir and cabinet cards, gem-sized prints and tintype miniature portraits. Negative formats consist primarily of glass plate negatives. There are also a small number of textual records found in albums including several business cards and a few seasonal greeting cards. There is also one instance of business stationary from Mrs. R. Maynard's Photographic Gallery present within the studio register.
The collection consists of the records gathered by Earl Marsh, who intended to preserve the history of the British Columbia Coast Steamship Service (BCCSS) and the maritime history of British Columbia generally. He primarily collected records from BCCSS employees and their family members, as well as libraries and archives.
The collection also consists of the employment records of Earl Marsh, personal correspondence pertaining to his collecting activities, and records Marsh probably used in his position as accountant for the BCCSS.
Marsh accumulated the bulk of his collection between 1964 and 1973, during the last years in which the BCCSS provided passenger services. The records themselves were created between 1868 and 1999, with the majority created between 1922 and 1975. Records in the collection pertain primarily to the province of British Columbia, Washington State, and the state of Alaska.
The main subject of Earl Marsh’s collection is the BCCSS. Marsh was interested in the practical operations of the organization and its regional context, so his collection includes records about the BCCSS’s privately-owned competitors, other branches of the Canadian Pacific Railway Company engaged in shipping, and the establishment of government ferry services in British Columbia.
Operational records of the BCCSS provide insight into the lives of crew members who worked on ships, the financial state of the company, the design and construction of ships and shipping infrastructure, coastal weather and tide patterns, and significant shipwrecks.
As an employee of the BCCSS, Marsh had a special interest in crew members. The records reveal the job duties, union contracts, and company guidelines that shaped the lives of the workers. In addition, Marsh’s collection contains a small selection of records about the Chinese Canadian crew members of BCCSS ships. Many of these workers were employed at the time of the Chinese Exclusion Act and experienced systematic discrimination by their employer.
Marsh was also particularly fascinated by the passenger services offered by the BCCSS on their line of 32 “Princess” steamships. Prior to the First World War, Princess ships represented the height of elegance and efficiency in coastal transportation. Marsh gathered numerous photographs, menus, deck plans, and newspaper clippings that convey some of the glamour of passenger travel aboard these ships.
The records originated with different creators. The majority of the records were created by the Canadian Pacific Navigation Company, which was eventually taken over by the BCCSS, the BCCSS, and the Canadian Pacific Railway Company. Some records were created by other branches of the Canadian Pacific Railway Company, such as the British Columbia Lake and River Service.
Documentary forms include scrapbooks about the BCCSS, subject files, scrapbooks about other shipping companies, original BCCSS volumes such as log and time books, ephemera and photographic negatives, files of personal records, and rolls of technical drawings. Records were originally arranged in groupings according to their subject (often indicated in a folder title) and documentary form. Within some subject groupings, Marsh arranged files alphabetically.
The subjects of BCCSS-related scrapbooks include the numerous ships in the Princess line, staff members, and other aspects of the organization's history. Among many other material types, the scrapbooks contain news clippings, original company correspondence and financial records, photographs, and technical drawings. Marsh arranged these scrapbooks in rough alphabetical order.
Marsh maintained subject files on numerous ships in the Princess line, BCCSS staff members and history, and the history of other shipping companies, including the Puget Sound Navigation Company and Black Ball Ferries Limited. He kept his files on BCCSS ships in rough alphabetical order.
Marsh’s scrapbooks about non-BCCSS companies cover other branches of the Canadian Pacific Railway Company and organizations based in Washington State and the state of Alaska. These scrapbooks were not maintained in any discernible order.
Marsh maintained log books and time books from the Canadian Pacific Navigation Company and BCCSS; however, few complete sets of log books and time books exist for various ships. He also collected road maps and ephemera such as post cards, along with photographs, negatives, and slides, in random order in shoeboxes.
Marsh included his own personal correspondence and employment records in the collection. These materials were originally received in labelled files.
Marsh kept technical drawings in large rolls. Often, a roll featured upwards of 20 drawings of a single ship.
The archivist arranged the collection in six series that reflect Marsh’s original order:
MS-3254 - Scrapbooks, Canadian Pacific Railway Company records, and subject files
MS-3255 - Ship log books
MS-3256 - Time books
MS-3257 - Personal correspondence, employment records, and journal
MS-3258 - Photographs, road maps, and ephemera
MS-3259 - Technical drawings, map, and construction specifications for BCCSS ship Princess Louise II
Marsh, Earl John
This series consists of a variety of records created by various provincial mental health institutions from 1872 to 2008. Records relate to the administration and operation of Riverview Hospital and related mental health facilities at the Essondale site in Coquitlam, as well as other facilities across the province. These mental health institutions include: Victoria Asylum, New Westminster Provincial Asylum (later Public Hospital for the Insane or Provincial Hospital for the Insane), Home for the Aged Coquitlam (later Valleyview), Home for the Aged Terrace (later Skeenaview), Home for the Aged Vernon (later Dellview), Crease Clinic, Colony Farm, Colquitz, Woodlands School, Tranquille and other medical facilities.
The names and administrative structure of these institutions changed over time. Mental health functions were originally part of the Provincial Secretary’s mandate; they were transferred to Mental Health Services when it was created in 1950.
These government records were collected by the Riverview Historical Society and include a wide variety of subject matter and media. This includes subjects such as: early development of the Essondale lands and Colony Farm; the construction and expansion of the facility; admissions, transfers, and discharges of patients; administration of patient care; administration of therapy programs; patient and staff recreation; staff and nurse training; operation of the audiovisual department; library services; research into new medical and therapeutic practices; research by staff regarding mental health practices at Riverview and further afield; community involvement; volunteer activity; policy development; the redevelopment of the Riverview lands; general administration; and, administration of other services at the site such as postal, food, laundry, banking, transportation and safety services.
The collection has been arranged into the following series based on record types:
GR-3924 - record books
GR-3925 - operational records
GR-3926 - newsletters
GR-3927 - photographs and other graphic material
GR-3928 - films and videos
Classified as 20000-20 in Operational Records Classification System (ORCS) schedule 144007.
British Columbia. Dept. of the Provincial Secretary
The collection consists of an incomplete set of copies of the Speech from the Throne, created between 1872 and 2021. The collection was made by the BC Archives using copies of the speeches, including red-ribbon copies, drawn together from various government office sources.
The Speech from the Throne is given by the Lieutenant Governor of British Columbia who addresses the Legislative Assembly of British Columbia at its opening and/or closing sessions. The speech outlines the executive government's plans at the start of each session of the Legislative Assembly and reviews the accomplishments of the government at the end of each session.
British Columbia. Lieutenant Governor
The collection consists of photographs acquired or collected by George Allen and include the following: ca. 1730 nitrate negatives depicting early aerial photography of the B.C. lower mainland and Pacific west coast to Anyox, for the period 1926-1932. These photographs were taken by the photographer Stuart Thomson, and also by Western Canada Airways/Pacific Airways Lt., precursors of Canadian Pacific Air; ca. 1150 negatives, both glass and nitrate, of views depicting Vancouver and area, Fraser River Valley, Victoria and Nanaimo, roads etc. taken in the 1920's and 1930's, all taken by professional photographers including Stuart Thomson, the Edwards Brothers, Richard Broadbridge and Gowen Sutton Company Ltd. The collection also includes ca. 2570 nitrate negatives and contact prints of the Okanagan region, Vancouver Island, some of Banff, Calgary, Lethbridge, Winnipeg, and Quebec from ca. 1880 to 1950's. These photographs were mainly taken by photographer C. C. Wright while in the employ of Gowen and Sutton, commercial producer of postcards. These photographs were acquired by George Allen in the 1950's and added to his collection.
The collection consists of records created by the Canadian Pacific Railway Company in the process of carrying out activities which include the registration of its ships, the promotion of its travel and tourist facilities, and the operation of its mechanical department.
Although the records were created by the CPR, most had been in the custody of (and were donated by) individuals who were unrelated to the CPR. The records were assembled into a collection by BC Archives.
Types of records include correspondence, photographs, technical drawings (blueprints of equipment), and legal and government records in support of the registration of ships and other vessels.
The collection includes of 18 “Registration of Shipping” dossiers containing documents dating from ca. 1897 to 1938 regarding the registration of vessels related to the Canadian Pacific Railway Company (some refer to the CPR’s British Columbia Lake and River Service). The records relate to vessels built for, operated by, and sold or scrapped by the CPR. Arranged by ship name, they include vessels sailing coastal and inland B.C. waters, most of which were registered at the Port of Vancouver. The records include but are not limited to: correspondence, builder’s certificates, certificate of survey (under the Merchant Shipping Act 1854], applications for registry, declarations of ownership, declarations of the transfer of registry from one port to another, declarations of assets, bills of sale, and notice of name proposed for a British ship. The BC Archives accession file describes these records as the CPR’s copies; however, this provenance is doubtful. The correspondence is addressed to a government office (the Registration of Shipping office, Customs and Excise Department) and is stamped as received incoming letters. It appears the provenance is the government office and not the CPR. The records were acquired by the writer and editor Edward L. Affleck, were in his custody for an unknown length of time, and donated to BC Archives by him in 1989.
The collection also consists of an album of 53 black and white photographs, ca. 1920-1930, which includes images of CPR lodges, camp facilities and cabins, tea houses, chalets and nature scenes. The photos indicate they were taken by the Brigden (or Brigdens) studio. Accompanying indexing numbers appear to be those applied by Brigden. The album contains the notation: “Property of Canadian Pacific Railway– Please return to General Passenger Department, Vancouver, B.C.
Other records include: 51 blueprints primarily from the CPR mechanical department; photographs of interiors and exteriors of CPR trains, and of various public relations and tourist-related locations in BC and Yukon; photocopies of CPR loans, agreements and contract documents; a CPR railway ticket, Pincher Creek to Victoria; and a record of payments to people made for section two of the Trunk Road for the month of May 1885.
Canadian Pacific Railway Company
The BC Archives fire insurance plan collection consists of plans of British Columbia communities acquired from various sources over the years. The plans have been arranged alphabetically by community by Archives staff. While most of the plans are large format, coloured sheets, there are also black and white photographic negatives (with diazo fiche copies for reference) and 35 mm colour slides for many of them. The photographic negatives and colour slides are not necessarily duplicates of the printed sheets in the BC Archives collection. A detailed list, arranged by community, gives details for holdings in each format. Fire insurance plans were published by various companies including the Sanborn company, the Charles E. Goad company, the Underwriters' Survey Bureau Limited, the Canadian Underwriters' Association and the British Columbia Underwriters Association. Fire Insurance plans and atlases are large-scale (high resolution) urban maps which grew out of the need of fire insurance underwriters to understand the physical characteristics of a structure to be insured. These maps show with detail colour drawings and symbols, the character of the outside and inside construction of buildings, passages, probable fire cut-offs, fire walls, openings in walls, height and occupancy or use of individual buildings or groups of buildings. Street widths, street addresses, property lines, water pipes or mains, fire hydrants and fire alarm boxes are also located on the maps. Although fire insurance plans stopped being produced in the 1970's and have long outlived their primary function, they continue to act as important source material.
The collection consists of photographic negatives that mainly depict railway operations in western Canada, particularly British Columbia, from 1886 to 1966. The collection was accumulated from photographs shot or collected by Albert Paull, Roy Jennings and P.H. "Spike" Brown, as well as some other private collectors. These photographs document the history, equipment and operations of the Canadian Pacific Railway, Canadian National Railways, Esquimalt and Nanaimo Railway, and Pacific Great Eastern Railway. A wide range of subjects is depicted, including locomotives (steam, electric and diesel), rolling stock, snow plows, stations, water towers, trestles, bridges, right-of-way scenes, and interior views. In addition, there is a small group of industrial subjects, including images relating to the National Harbours Board, various collieries, the Victoria and Sidney Railway, and a number of lumber companies on Vancouver Island. The negatives are organized in five alpha-numeric series, using prefixes that indicate the subject railways -- CP, CN, EN, and PGE -- and IND (for industrial and miscellaneous subjects). The collection also contain a small amount of textual material, including two copies of Bordertown's published "Catalog No. 1" and two typescript copies of the complete Bordertown collection index, prepared in 1979. (See "Finding Aids", below.)
The collection consists of photographs collected by Bill Barlee and 2 historic maps of South Okanagan - Similkameen and West Kootenay.
Barlee, Neville Langrell, 1932-2012
The collection consists of artwork created or acquired by Emily Carr between ca. 1893 and 1945. This collection was acquired by the BC Archives over many years through donations and purchases. It includes sketchbooks, paintings and other artworks.
Carr, Emily, 1871-1945
The collection consists of four discreet collections of photographs, the bulk of which are lantern slides. The majority of the fonds consists of several sets of lantern slides, the bulk of which contain photographic subject matter dating from 1868 to 1930. The photograph collections are attributed to Albert Hatherly Maynard, son of early pioneer photographer Richard Maynard (1832-1907). Within lantern slide collections, slides from creators of other distinct lantern slide collections (likely Charles Frederick Newcombe and William A. Newcombe), appear to be included. A small number of flexible negatives are also included in one of the accessions.
A large number of lantern slides depict scenes of the Fraser River gold rush era of the 1860s, in the regions of Yale to Barkerville, Quesnel and Cottonwood in the interior of British Columbia. Many of the reproductions of photographs featured in the lantern slides in this collection are attributed early pioneer photographer’s works including those created by Richard Maynard during the 1860s and A.H. Maynard’s works produced in the 1920s. It also includes the photographic works of other early B.C. photographers including Frederick Dally (1838-1914), likely Louis A. Blanc who documented similar subjects as the Maynards particularly Barkerville, the Cariboo and the Cariboo Roads in British Columbia during the period before and after the Fraser River gold rush of the 1860s. A small number of photographic works by Frederick Dundas Todd (1858-1926) and F. [Dewitt] Reed are also contained within several of the slide collections.
Accessions 198203-025 and 198203-065 consist of slide compilations that depict a visual narrative of the history of Barkerville, the Cariboo Road and Cariboo region in the B.C. interior during the period of the 1868 Fraser River gold rush era and sixty years later in the 1920s. The bulk of the scenes of the gold mining resource industry, as well as views of transportation roads and routes along the journey to the goldfields. To a lesser extent views of other resources industries (forestry, agriculture, fishing and farming/ranching) are depicted against the nature and lands of the B.C. interior. Mining towns within the Lighting Creek and Williams Creek Districts, including Barkerville (before and after the fire of 1868), Richfield and Cameronton are represented, as well as other scenes representing the following views of gold mining operations: claims sites, posed group portraits and likenesses of miners, equipment and the production activity of early mining technology of associated mining companies, businesses and partnerships in the area. Photographs of mining claims and claims sites and the miners and labourers involved at Mucho Oro, Aurora Gold, Minnehah, Never Sweat; The Rankin Company (Grouse Creek), Ne’er do Weel (Grouse Creek) and the Canadian Grouse Company (Grouse Creek) are included in the sequences. Imagery along and of the Cariboo Road(s) are described as depicting various views, scenes and activities including: freight and trade transportation, transportation methods and transportation routes (ox pack teams, gold escorts; steamer “Reliance” and Fraser River crossings; travelers); views along the Cariboo Road(s) that include the geological terrain of the Fraser River (its river banks and surrounding forested and arid landscapes) at various points along the route to the goldfields including the Fraser Canyon and Lady Franklin Rock; examples of civil engineering as such as bridges; homes and ranches as well as accommodations such as roadhouses and hotels (70, 83, 108 and 150 Mile Houses, Pioneer Hotel, Van Winkel Hotel at Stanley, Colonial Hotel at Soda Creek and the Hastings Hotel) and businesses (Masonic Hall at Barkerville) in colonial service towns and mining communities and settlements. Indigenous communities do not appear to be identified in lantern slide captions, though the geographical regions documented in slides reflect many traditional Indigenous territories in which the Fraser River gold rush traversed and was situated. It appears that traditional Indigenous fishing methods are present in some views, likely in those of the Fraser River. Several photographs of geological specimens (gold nuggets) are included within the set. There appear to be very limited images of regional wildlife. There are a small number of group photographs reflecting the diverse population of gold miners, pioneers and travelers of the Interior B.C. (“Crew of SS "Nechacco"), including women and children. The views from the 1920s, appear to reflect A. H. Maynard’s trips to Barkerville, the Cariboo Road(s) and the Cariboo region. Finally, there are several views described as from the period in between 1868 and the 1920s. These slides depict views including those of the Fraser Valley region by F. Dundas Todd, a surveying team in “East Kootenay” and a few images described as the Okanagan.
A smaller collection of lantern slides (accession 198203-066) feature a random mix of Fraser River gold rush era views, military subjects, theatrical entertainment and other topics. Many slides appear to be images reproduced from works of art, books and other published materials. Documentation of theatrical productions include images of scenes and portraits from Shakespearean plays (Macbeth, Othello, A Winter’s Tale), as well as Anne Hathaway's cottage. It also includes documentation of the destruction of religious institutions during World War I, primarily in Ypres. Some of these slides indicate “mounted by Edgar Fleming, Victoria, B.C.”
Another collection of photographs (accession 198201-068) consist of 107 black and white flexible film negatives depicting Canadian and American views taken between the period of May and June 1914. These include views include of Bowmanville, Toronto and Niagara, Ontario in May 1914; Rochester and New York, New York in May and June, and the "Rio Grande" in Colorado in June of the same year. Photographs of American destinations such as San Francisco, Philadelphia, Atlantic City including Freemount Park, Salt Lake and [Ogden], Denver and Washington, DC are here. Several locations on Vancouver Island identified as Victoria, Saanich and Mill Bay also housed in this group of photographs. This unit also includes film negatives described as “C.P.R.y [Railway] 1914”. 25 copy prints were made from these negatives due to deterioration of original film negatives.16 images of Bowmanville and Toronto in May 1914 and 9 images of Vancouver Island including Victoria, Saanich and Mill Bay are available.
Maynard, Albert Hatherly
Collection includes published sheet music, many with lyrics, collected by the Provincial Archives. The majority of the collection includes materials published prior to 1970.
If a piece was assigned a number within a publisher's series, this number has been included in brackets after the statement of responsibility for the piece. The file list also includes information on publisher's series and the statement of responsibility for that series, if applicable.
The collection consists of materials written by J.T. Walbran, including correspondence and research material. The collection also consists of a newspaper clipping book that Walbran kept between 1909 and 1912. Much of the material is related to Walbran's research into the history of British Columbia. Two volumes, the "Tonquin" and "The Cruise of the Imperial Eagle" were typed up by Provincial Archives staff in 1936, several years after Walbran's death. They were, however, created from transcripts provided by Judge Howay and it is presumed that the originals were given by Walbran to Howay.
The collection consists of video copies of 36 film items from the Allan D. Taylor collection held by Library and Archives Canada. These selected items (mainly newsreel footage and out-takes) depict British Columbia events, leisure activities, scenery and cityscapes in Victoria and Vancouver, on Vancouver Island, or in the Interior (for example, Kamloops and Lillooet), during the period 1907-1931. Several items filmed during World War One show events related to the war, including the departures of various military units for the conflict. The collection includes at least one item fillmed by Vancouver filmmaker A.D. "Cowboy" Kean, and a few others that are attributed to him.
Taylor, Allan D., 1916-1999
The collection consists of records relating primarily to the West Coast Development Company, which aimed to develop land, located near Clo-oose on the west coast of Vancouver Island, into a resort destination. The company often used the tagline—Canada’s Greatest Pleasure Resort—interchangeably with its proper name. The records include those relating to the company act and shareholder reports, share certificates held by J. Alfred Tougas, land purchase records and lists of individuals who have purchased lots, correspondence, maps of the development, promotional material, and city guides for Vancouver, Victoria, and Edmonton. Tougas’ name appears on many of these records.
The collection also consists of notes and research files compiled by the donor, some of which relate to the West Coast Development Company records. Included in this file are two photographs, possibly of J.A. Tougas. There are records relating to a previous donation to the RBCM (1989) as well (see Associated Materials note below). There is also a file containing four photographs which are not directly related to the West Coast Development Company, but two of which depict scenes near Clo-oose and Nitinat River.
West Coast Development Company
The collection consists of a dismantled album of unknown provenance, probably created around 1912. Many of the 32 black and white images have captions which indicate that they are of the Fort St. John area. The images show transportation across the Peace River by canoe and scow as well as homesteaded property and livestock.
The collection also includes 38 miscellaneous black and white photographs (some postcards) that are mostly unidentified. Some are labelled as Prince Rupert, 1928, Butedale, Kennedy Island and Port Essington.
Young, Alfred Barringer
The collection consists of 110 black and white negatives of the Port Progress (Blunden Harbour) settlement site and survey photos of the area. Included are ca. 10 images taken in Vancouver and Prince Rupert of diesel converted boats and Irish Fusiliers. There are also four black and white prints of the Port Progress group that were made from negatives but given separate id numbers.
The name of the photographer (or photographers) is unknown and there are several photographer numbering systems used so the collection may have been put together by David Mason Books, based on subject.
The collection consists of two amateur films showing Stewart, B.C., and mining operations in the vicinity. The later film also shows the nearby community of Hyder, Alaska.
Fillion, Jack, collector
Collection consists of moving images collected or acquired by the BC Archives from a wide variety of donors. Subjects include the entire range of British Columbia history and cover most geographic areas of the province. They include commercially produced industrial and promotional films as well as amateur productions.
British Columbia Archives
The ciollection consists of four 35 mm motion picture prints, including films produced by the Canadian Government Motion Picture Bureau and the Ontario Motion Picture Bureau. The four titles include films about sport fishing in Ontario [and B.C.?], wildlife in the Rocky Mountains, and the activities of an Ontario forest fire ranger. A fifth title, "[Douglas Fir]", was de-accessionned and transferred to the Public Archives of Canada.
Canadian Forestry Association of British Columbia
The fonds consists of radio and television programs produced by the Canadian Broadcasting Corporation and mainly broadcast from its Vancouver stations.
Canadian Broadcasting Corporation (Vancouver, B.C.)
The collection comprises prints of four travel films sponsored by or attributed to the National Parks Branch.