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Archives paintings, drawings, and prints collection Painters And Painting With digital objects
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Kwakwaka'wakw House Interior with Dance Masks

The item is a painting created by artist Dora Geneva Lent in 1962. This painting depicts the interior of a Northwest Coast longhouse with an arrangement of Indigenous belongings. It includes a carved figure, a copper, a bowl, a transformation mask, and two Hamasta masks. The artist’s interpretation is based on belongings and photographs held at the Royal BC Museum.

Nuxalk Genre Scene

The item is a painting created by Dora Geneva Lent in 1962. This painting depicts a Nuxalk village, Q'umk'uts' (Bella Coola), with three masked dancers wearing button blankets in the foreground. The artist’s interpretation is based on belongings and photographs held at the Royal BC Museum, the National Museum of Canada, and the Hudson’s Bay Company Archives.

Northwest Coast Belongings

The item is a painting created by artist Dora Geneva Lent in 1961. This painting depicts a collection of Northwest Coast Indigenous belongings arranged as a still life. It includes a Coast Salish totem pole, a Tsimshian-style design in the background, a partially woven Chilkat blanket on a loom, two masks, and a basket. The artist’s interpretation is based on belongings and photographs held at the Royal BC Museum and the publications of Lieutenant George Emmons.

Tsimshian Still Life

The item is a painting created by Dora Geneva Lent in 1962. This painting depicts an arrangement of Northwest Coast Indigenous belongings into a still life. The background features a distinctively Tsimshian design, alongside a totem pole. In the foreground three masks lean against a chief’s seat draped by a Chilkat blanket. The artist’s interpretation is based on belongings and photographs held at the Royal BC Museum and the Field Museum.

Haida Still Life

The item is a painting created by artist Dora Geneva Lent in 1962. This painting arranges several Northwest Coast Indigenous belongings into a still life composition. It includes a button blanket with a bird design, a bear carving, an argillite platter, a bentwood box, a seal bowl, a model figure and totem pole, a bracelet, spruce root hat, and a horn spoon. The artist’s interpretation is based on belongings and photographs held at the Royal BC Museum.

Salish Women Spinning Wool

The item is a painting done by artist Dora Geneva Lent in 1962. It depicts two Coast Salish women spinning wool from a spindle whorl and is loosely based on Paul Kane's painting of the same subject matter. Other fruits of the women's labour are also depicted, with a loom and weaving in the background, a basket, a ball of wool, and an unused whorl in the foreground. The artist has also included a baby and a rendering of a Salish woolly dog. The artist's interpretation is based on belongings and photographs held at the Royal BC Museum, the National Museum of Canada, the Royal Ontario Museum, and the work of Charles Hill-Tout.

The Rt. Hon Winston Churchill

The item is a caricature of the Right Honorable Winston Churchill (1874-1965) by Margo Greenwood, a British aristocrat w married to Canadian-British politician Hamar Greenwood. It is undated, but is probably based on a photograph of Churchill from 1904.

British Columbia, The Mission House

The item is a painting done by Captain Edwin Augustus Porcher (1824-1878). The watercolour depicts the new Anglican mission to the Tsimshian at Metlakatla, British Columbia. The foreground shows canoes and Indigenous figures, the middle ground depicts the new settlement, and a ship and mountains are shown in the background. The back of the painting is inscribed with a description, "British Columbia - The Mission house on the South Side of the Christian settlement / of Metlakatla. May 21, 1866 / Published in the Bishop's Report for 1866." Porcher painted the piece whilst serving on the HMS Sparrowhawk whilst exploring the Pacific Northwest between 1864 and 1868.

Wharf structure

The item is an Abstract Expressionist painting created by Victoria-based artist, Virginia Lewis, likely sometime in the 1960s. It features vertical bands of impasto paint in black, chalk and grey, with built up additions of colour in blue, green, cream, and burnt umber.

Black, white and red

The item is an Abstract Expressionist painting with thick impasto applied in tonal blocks in black and white, with a red fissure across the centre of the canvas. The painting was created by Victoria-based artist, Virginia Lewis, in 1963.

John Fannin

The item consists of a painting of John Fannin that was completed by Sophia Pemberton in 1905. The portrait was commissioned by the Natural History Society of British Columbia as a memorial to the Provincial Museum's first curator and former president of the society, John Fannin.

Emily Harley Toldervy Lee

The item is a miniature portrait of a young woman dressed in a mid-nineteenth century style, with a large hat, blue dress, and large necklace. The back of the frame has two historical labels. The one at the top reads: "Emily Harley Toldervy Lee, London, Eng[land]. Further down, the second label has multiple inscriptions in different hands. It names the sitter with a slight variation: Hartley. Also on the label is a note about hanging the portrait out of the sun to avoid damage. Underneath this is a note in a third hand saying, "For Ruth Davidson Lee [illegible]".

Mrs. Helen Peck (née Newcombe)

The item consists of a watercolour portrait of a woman on blue notebook paper. The subject is identified as Mrs. Helen Peck. The painting was completed by Betty Newton in 1968 and was donated to the BC Archives. A note on the back says, "Mrs. Helen Peck (nee Newcombe) painted by Miss Betty Newton and presented to the Provincial Archives January 22, 1968"

The item was found in collections in 2023.

Lilies

The item is a handmade gift card. There is a coloured pencil drawing of lilies framed inside a pre-made cardboard frame and envelope. The item is attributed to Sophia Pemberton, and was created in 1953.

Lily with inscription

The item is a coloured pencil drawing of a white lily with an inscription that reads," And trailing clouds of glory do they come from which is their home". The back of the frame reads, "To Dear Ada, March 1954". The artwork is attributed to Sophia Pemberton, and was created in 1954.

Varied Thrush? (Painted Robin)

The item is a painting of a grey bird sitting amongst some vegetation. The painting was done by Hilda Vincent Foster, possibly in the 1930s The painting has been incorrectly titled as Varied Thrush? (Painted Robin), but the bird has been correctly identified as a Red-Breasted Nuthatch by the Natural History curators at the Royal BC Museum.

Grosbeak(?)

The item is a painting of a bird sitting amongst some branches. The painting was done by Hilda Vincent Foster, possibly in the 1930s. The painting has been incorrectly titled as a Grosbeak by Winifred Williams. Also on the back of the painting is a note written on December 7, 1993 stating that Florence Dickson said this was a Sparrow Hawk or Kestrel. It has been correctly identified as an American Kestrel by Natural History curators at the Royal BC Museum.

Flicker(?)

The item is a painting of a grey bird with its wings outstretched while sitting amongst some flowers. The painting was done by Hilda Vincent Foster. On the back of the painting is written Flicker(?), but the bird has been correctly identified by Natural History curators at the Royal BC Museum as a Northern Flicker.

Cedar Waxwing(?)

The item is a painting of a cedar waxwing bird done by Hilda Vincent Foster. The title is taken from the back of the painting. It was not written by the artist. It was possibly painted in the 1930s

The Old Stone Church

The item is a painting of a building by Hilda Vincent Foster. The painting depicts the old stone church on Comiaken Hill, near Duncan, Vancouver Island. According to the label on the back of the painting, the church was constructed between 1870 and 1872 by Rev. Peter Rondeault, and became disused in 1880. The painting was done in 1966.

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