Item A-01346 - Mrs. David Russell Ker, nee Laura Agnes Heisterman

Original Digital object not accessible

Title and statement of responsibility area

Title proper

Mrs. David Russell Ker, nee Laura Agnes Heisterman

General material designation

  • graphic material

Parallel title

Other title information

Title statements of responsibility

Title notes

  • Source of title proper: Title based on glass plate label.
  • Attributions and conjectures: Photograph is attributed to Hannah Maynard.

Level of description


Reference code


Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area


  • [ca. 1880] (Creation)
    Maynard, Hannah (Hatherly)

Physical description area

Physical description

1 photograph : b&w glass plate negative ; 12.5 x 20 cm

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator


Biographical history

Hannah Hatherly Maynard (1834-1918) was a well-known photographer, photographic artist and business owner originally from Cornwall, England and based in Victoria, British Columbia. She ran a successful commercial studio photography business, Mrs. R. Maynard’s Photographic Gallery (1862? – 1912) in Victoria on Vancouver Island that was in operation for 50 years.

Hannah married Richard Maynard in 1852 in England and they immigrated to Bowmanville, Ontario. While in Ontario she studied photography, likely with R & H O’Hara of Bowmanville, Photographers, Booksellers, Insurance Agents, Etc. In 1862, Hannah, Richard and their family moved to the Colony of Vancouver Island on the Sierra Nevada. It is believed she opened Mrs. R. Maynard’s Photographic Gallery that same year.

As a photographer she was primarily known for her portrait photography. Throughout her career she created a documentary record of the changing landscape of Victoria and its population as it grew from a small fort settlement to an urban centre. As a portrait photographer, she created likenesses of early inhabitants among them gold miners and sailors. When the studio opened, Fort Victoria had been established by the Hudson’s Bay Company twenty year’s prior, and the Colony of Vancouver Island was barely over a decade years old. In addition, the medium of photography was in its early infancy and only several years since gold was found on the Fraser River on the mainland. During the early 1860s and 1870s, Mrs. R. Maynard’s Photographic Gallery was one of the most prolific creators of carte de visites of First Nations subjects which were popular in and around Victoria during that time, which disseminated a certain depiction of First Nations and Indigenous people to public consumers. Later on in 1897, Mrs. Maynard employed her skills in portraiture in her role as the official photographer for city police forces in Victoria for several years. Upon her retirement, Hannah is quoted in the Victoria Daily Colonist as saying “I think I can say with every confidence that we photographed everyone in the town at one time or another.”

In addition to her portrait photography, Mrs. Maynard’s portfolio of work also included other styles of photography. During the 1870s and 1880s, Hannah and Richard took several working trips together where they both practiced photography in the field. This included trips to Vancouver Island, Haida Gwaii (then referred to as the Queen Charlotte Islands) and to Banff, Alberta. In the early 1900s, Hannah Maynard supplied ethnographic documentary photographs of Indigenous people of B.C.'s Northwest Coast to the Peabody Museum of Archaeology and Ethnology at Harvard in the United States.

Mrs. R. Maynard was an artist, as well as a photographer. She was known for producing experimental works that involved photographic techniques such as double and multiple exposures, photo-sculptures, as well as composite and cut-and-paste montage imagery. The "Gems of British Columbia" series features portrait montages of selected children, largely Anglo-European subjects as well as a number of clients from African American and Chinese pioneer families, photographed throughout the year. These were sent as New Year's greeting cards to clients from 1881 until about 1895. In the 1880s, these composite photographs, which sometimes incorporated photo sculptures (also known as “Living Sculptures”) were published in the trade publication St. Louis Photographer (also known as St. Louis and Canadian Photographer). She also used landscape views as well as studio portraits as source material for composite works, such as the piece “80 Views on the Frazer River” featuring multiple landscape views identified as the Fraser River, or the blended “documentary” image of a field photograph depicting a view of community village scene and a studio portrait of an Indigenous women. She is also more commonly known for unique autobiographical works, tableaux vivants which employ double and multiple exposure techniques along with the techniques of photo-sculpture, and feature Hannah and other members of the Maynard family.

Over the course of her career, Mrs. R. Maynard received many acknowledgements and praise in Canada and the United States. Early in her career, the Seattle Weekly Pacific Tribune described her as a "leading photographer of Victoria” in 1878. In 1888, The New West of Winnipeg noted: “…her photographic work cannot be excelled for brilliancy of expression and harmony of effect…she is recognized as one of the foremost representatives of the profession in the country.”

During the course of her career, the personal history of Hannah Maynard and her family are closely linked, to both her photographic work and that of her studio. Her children and family are featured in many of her studio portraits, as well as in experimental works. Photographic work created by Hannah and her husband Richard have been attributed to each other in several ways and means. In 1890, Richard Maynard won first prize in the professional class for the Victoria landscape view, "The Arm" by West Shore magazine in October of 1890. This image was later also credited to Hannah Maynard in the publication the St. Louis & Canadian Photographer in November that same year.

Around 1910, Hannah Maynard appears to have disposed of her camera equipment to a photographer identified as “a Chinese photographer named Peter on Government Street”. On September 29, 1912, the Victoria Daily Colonist announced Hannah Maynard’s retirement at the age of 78 and the closure of the studio. The Mrs. R. Maynard’s Photographic Gallery appears to have never reopened. She died at age 84 in 1918 and is buried in Ross Bay Cemetery, Victoria, British Columbia. Her son Albert H. Maynard executed her will.

Custodial history

Scope and content

Item consists of one studio photograph of Laura Agnes Ker (nee Heisterman).

Notes area

Physical condition

Immediate source of acquisition


Language of material

Script of material

Location of originals

Availability of other formats

Restrictions on access

Preservation restriction: item is a glass plate negative. Researchers should consult the online reference image or reference room copy prior to consulting the original.

Terms governing use, reproduction, and publication

This item is in the public domain.

Finding aids

Associated materials

Related materials


General note

Accession number(s): 95-7328

General note

Archives code(s): HP003031

General note

Caption on glass plate: "Box 10 H2 Heisterman"

General note

Original glass plate negative was removed from the BC Archives "Gen File" in 2022.

Alternative identifier(s)

Standard number area

Standard number

Access points

Subject access points

Place access points

Name access points

Genre access points

Control area

Description record identifier

Digital object (Master) rights area

Digital object (Reference) rights area

Digital object (Thumbnail) rights area

Accession area

Related subjects

Related people and organizations

Related places

Related genres

Physical storage

  • Box: 000343-0010